northanger (northanger) wrote,
northanger
northanger

misc end of eon stuff


QWERTY 7182 = BUT I MUST EXPLAIN TO YOU HOW ALL THIS MISTAKEN IDEA OF DENOUNCING PLEASURE AND PRAISING PAIN WAS BORN AND I WILL GIVE YOU A COMPLETE ACCOUNT OF THE SYSTEM, AND EXPOUND THE ACTUAL TEACHINGS OF THE GREAT EXPLORER OF THE TRUTH, THE MASTER-BUILDER OF HUMAN HAPPINESS. NO ONE REJECTS, DISLIKES, OR AVOIDS PLEASURE ITSELF, BECAUSE IT IS PLEASURE, BUT BECAUSE THOSE WHO DO NOT KNOW HOW TO PURSUE PLEASURE RATIONALLY ENCOUNTER CONSEQUENCES THAT ARE EXTREMELY PAINFUL. NOR AGAIN IS THERE ANYONE WHO LOVES OR PURSUES OR DESIRES TO OBTAIN PAIN OF ITSELF, BECAUSE IT IS PAIN, BUT BECAUSE OCCASIONALLY CIRCUMSTANCES OCCUR IN WHICH TOIL AND PAIN CAN PROCURE HIM SOME GREAT PLEASURE. TO TAKE A TRIVIAL EXAMPLE, WHICH OF US EVER UNDERTAKES LABORIOUS PHYSICAL EXERCISE, EXCEPT TO OBTAIN SOME ADVANTAGE FROM IT? BUT WHO HAS ANY RIGHT TO FIND FAULT WITH A MAN WHO CHOOSES TO ENJOY A PLEASURE THAT HAS NO ANNOYING CONSEQUENCES, OR ONE WHO AVOIDS A PAIN THAT PRODUCES NO RESULTANT PLEASURE? (Lorem Ipsum • Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC :: 1914 translation by H. Rackham) = BUT IN ENGLAND, THEY DID. JOHN DEE AND OTHERS (THOMAS HARRIOT AND WALTER RALEIGH AMONGST THEM) HAD SECRETLY COME UP WITH A PLAN TO IMPLEMENT A 'PERFECT CHRISTIAN CALENDAR' USING THE 33-YEAR CYCLE (THE TRADITIONAL LIFETIME OF CHRIST). IN THAT SPAN THERE ARE EIGHT FOUR-YEAR CYCLES LEADING TO A TIME-OF-DAY WANDER BY THE EQUINOX OF JUST BELOW 18 HOURS. THE PROBLEM IS THE ONE FIVE-YEAR CYCLE IN EACH GRAND CYCLE, DURING WHICH THE EQUINOX STEPS FORWARD BY JUST BELOW SIX HOURS IN EACH OF FOUR JUMPS BEFORE THE FOLLOWING LEAP YEAR PULLS IT BACK BY 24 HOURS. THE FULL AMPLITUDE OF THE MOVEMENT IS 23 HOURS AND 16 MINUTES. TO GET THE EQUINOX TO REMAIN ON ONE CALENDAR DAY THROUGHOUT THE 33-YEAR CYCLE ONE HAS TO USE AS A PRIME MERIDIAN FOR TIME-KEEPING A LONGITUDE BAND WHICH IS JUST RIGHT, AND QUITE NARROW. IT HAPPENED (IN THE LATE SIXTEENTH CENTURY BUT WITH MOVEMENT EAST SINCE DUE TO THE SLOW-DOWN OF THE EARTH'S SPIN) TO BE AT 77 DEGREES WEST, WHICH CASSIDY TERMS "GOD'S LONGITUDE".

QWERTY 7099 = AFTER THE COLUMBIA LOSS, THERE WAS A FURIOUS SPACE POLICY DEBATE IN WASHINGTON. THE "SHAWCROSS OPTION" WAS TO NEVER FLY THE SHUTTLE AGAIN, DEORBIT THE INCOMPLETE ISS, AND TURN NASA INTO A PURE R&D ORGANIZATION WITH HALF ITS EXISTING BUDGET. THAT OPTION WAS NEARLY CHOSEN. BUT THE NATION'S SENIOR LEADERSHIP DETERMINED THAT THERE WERE TOO MANY INTERNATIONAL COMMITMENTS WHICH WOULD BE UNDERMINED BY UNILATERALLY ABANDONING THE ISS AND THE SHUTTLE WAS REQUIRED TO COMPLETE THE ISS CONSTRUCTION. GOING FURTHER, A NATIONAL POLICY OF SPACE EXPLORATION BEYOND LOW EARTH ORBIT WAS DEFINED. POLICIES WITHOUT FUNDING ARE INEFFECTIVE, SO NASA WAS TASKED TO QUICKLY PROPOSE A MULTIYEAR BUDGET TO FUND SHUTTLE, ISS, AND THE NASCENT EXPLORATION INITIATIVE. THE CHIEF FINANCIAL OFFICER OF THE AGENCY, STEVE ISAKOWITZ, PUT TOGETHER THE ESTIMATES IN RECORD TIME USING MATERIALS HE HAD ON HAND. TRANSLATED INTO A CHART, THIS BECAME THE FAMOUS VISION SAND CHART (Killing Constellation) = IN 1584-90 THE SO-CALLED LOST COLONY WAS SENT TO ROANOKE ISLAND, A BIZARRE PLACE TO ATTEMPT TO START COLONIZATION BUT AN EXCELLENT SITE FROM WHICH TO MAKE ASTRONOMICAL OBSERVATIONS TO FIX THE LONGITUDE AND THUS DECIDE HOW FAR INLAND NEW ALBION SHOULD BE. SIMILARLY IN 1607 THE CHOICE OF JAMESTOWN ISLAND SEEMS BIZARRE FROM THE SETTLEMENT PERSPECTIVE — WHY NOT OUT ON CHESAPEAKE BAY, AND AWAY FROM THE ATTACKS OF THE LOCAL ALGONQUIANS LED BY POCAHONTAS' FATHER POWHATAN? — BUT MAKES SENSE FROM THE PARAMOUNT NEED TO GRAB A PIECE OF GOD'S LONGITUDE. FROM THE FOOTHOLD THE ENGLISH MANAGED TO GAIN, OLD VIRGINNY GREW AND LATER OTHER COLONIZERS CAME TO NEW ENGLAND, AND NEW AMSTERDAM WAS BOUGHT FROM THE DUTCH. BUT LATER UTILITY/DEVELOPMENTS DO NOT REFLECT THE ORIGINAL PURPOSE OF THE ENGLISH COMING TO ROANOKE ISLAND AND JAMESTOWN ISLAND ANY MORE THAN THE EIFFEL TOWER WAS BUILT TO PROVIDE A MOUNT FOR THE MANY RADIO ANTENNAS WHICH NOW FESTOON ITS APEX (What Is The Most Important Invention In The Past Two Thousand Years? • Summary answer: The non-implemented 33-year English Protestant Calendar).

QWERTY 5159 = I HAVE TO ADMIT, THOUGH, THAT I KNEW WHILE READING THIS THAT IT WILL GET PRECISELY THE KIND OF ATTENTION THAT THIS BLOG IS GIVING IT...THAT IS, ELEVATING IT TO THE WORK OF A MARGINALIZED AND JUSTIFIED GENIUS THAT WILL BE IGNORED BECAUSE ALL THE PEOPLE OUT THERE WON'T GIVE IT THE ATTENTION IT SO RIGHTEOUSLY DESERVES. UNFORTUNATELY, THERE IS NOTHING IN THESE PAGES TO BE REMEMBERED, AND I ONLY HOPE THAT NOT TOO MANY PEOPLE JUMP ON THE PSEUDO-INTELLECTUAL MISFOUNDED-SELF-RIGHTEOUS-CYNICISM THAT TRIES TO ASCRIBE THE WRITING OFF OF THIS TEXT TO SOME KIND OF SOCIAL INJUSTICE BORN OUT OF IGNORANT PUBLIC UNDERSTANDING...THE ONLY TRAGIC INJUSTICE HERE IS THAT THIS MAN DIDN'T HAVE SOMEBODY AROUND TO HELP HIM GET CONTROL OF HIMSELF (Mitchell Heisman: suicide note, 1905 pages) = THE EON EMPOWERS ARDENT AND STEADFAST ASPIRANTS WHO HAVE TO SOME DEGREE HARMONIZED AND INTEGRATED WITHIN THEMSELVES THE PRINCIPLES OF UNITY AND MULTIPLICITY, ENABLING THEM TO ACT AS CREATIVE AGENTS IN THE ETERNAL CYCLIC PROCESS. THE GLIMMER OF NEW POSSIBILITIES OPENING IN THE OBJECTIVE AND SOCIAL SPHERES SHOWN IN THE PREVIOUS PHASE LEADS TO AN INTUITIVE BUT UNDENIABLE SENSE OF PLACE AND PURPOSE WITHIN THE WORLD. ALTHOUGH ONE'S UNIQUE PLACE AND PURPOSE IS NOT YET FULLY UNDERSTOOD IN ALL THAT IT MEANS AND IMPLIES, A SENSE OF DESTINY OR INDIVIDUAL UNIQUENESS BECOMES A LIVING POWER WHICH SEEMS TO MAKE POSSIBLE WHATEVER IS NEEDED FOR FULLER UNDERSTANDING AND THE EMPOWERMENT OF THE QUALITIES UNFOLDING THROUGH THE CYCLE (PHASE 21 - The Waning TriSeptile).

QWERTY 3704 = CARTER'S INSIGHT INTO FEVVERS' APPEAL COULD EASILY BE APPLIED TO SPIRITUALISM. "IF SHE ISN'T SUSPECT, WHERE'S THE CONTROVERSY? WHERE'S THE NEWS?" (11). INDEED, AS CARTER'S JOURNALIST JACK WALSER REALIZES, "IN A SECULAR AGE, AN AUTHENTIC MIRACLE MUST PURPORT TO BE A HOAX, IN ORDER TO GAIN CREDIT IN THE WORLD" (17). TO EXPLOIT THE TENSION BETWEEN DOUBT AND BELIEF IS BRILLIANT SHOWMANSHIP. THIS UNEASY JUXTAPOSITION PROVIDES THE ESSENCE OF THE MYSTERY IN AFFINITY. SET IN THE 1870S, THE NOVEL FICTIONALIZES THE ERA OF YOUNG FEMALE STAR MEDIUMS ("Spiritual Garments": Fashioning the Victorian Séance in Sarah Waters' "Affinity") = FOR EXAMPLE, ALTHOUGH ONE MIGHT PRESUME THAT WE HAVE LEARNED TO RESPECT SCHUBERT'S REPEAT SIGNS, IT WAS ONLY A FEW SHORT YEARS AGO THAT EDWARD CONE COULD STILL LAMENT A COMMON FAILING IN THIS REGARD. HAVING NOTED THAT ONE MUST TAKE THE REPEAT IN THE FIRST MOVEMENT IN MENDELSSOHN'S ITALIAN SYMPHONY BECAUSE OF SINGULAR MATERIAL THAT DOES NOT REAPPEAR UNTIL THE CODA, CONE POINTED TO AN APPARENTLY WIDESPREAD LACK OF STRUCTURAL COMPULSION CONCERNING A SIMILAR SITUATION IN SCHUBERT'S MUSIC: ({37} Franz Schubert's Music in Performance) = ON MARCH 26, 1582, EARLY ON IN THE TRANSMISSION PROCESS, DEE AND KELLY WERE INSTRUCTED TO DRAW THE CHARACTERS THEY SAW IN AN EIGHT BY EIGHT SQUARE HELD UP BY THE ANGEL AVE. A FAINT YELLOW OUTLINE OF AN ALPHABETIC CHARACTER APPEARED ON THE PAGE IN FRONT OF DEE, WHICH HE THEN FILLED IN WITH INK. THE CHARACTERS WERE SOMEWHAT SIMILAR TO SEVERAL MAGICKAL SCRIPTS, INCLUDING THAT DESCRIBED BY PANTHEUS IN HIS VOARCHADUMIA, BUT MORE REFINED. THEY ARE ALSO VAGUELY REMINISCENT OF ETHIOPIAN CHARACTERS = TEMPO RUBATO (OR A TEMPO RUBATO) MEANS LITERALLY IN ROBBED TIME, I.E., DURATION TAKEN FROM ONE MEASURE OR BEAT AND GIVEN TO ANOTHER, BUT IN MODERN PRACTICE THE TERM IS QUITE GENERALLY APPLIED TO ANY IRREGULARITY OF RHYTHM OR TEMPO NOT DEFINITELY INDICATED IN THE SCORE. THE TERMS AD LIBITUM, (AD LIB.), A PIACERE, AND A CAPRICCIO, ALSO INDICATE A MODIFICATION OF THE TEMPO AT THE WILL OF THE PERFORMER. AD LIBITUM MEANS AT LIBERTY; A PIACERE, AT PLEASURE; AND A CAPRICCIO, AT THE CAPRICE (OF THE PERFORMER) (Music notation and terminology (1921) by Karl Wilson Gehrkens • Tempo rubato) = THE TRAGEDY OF A SPECIES BECOMING UNFIT FOR LIFE BY OVER-EVOLVING ONE ABILITY IS NOT CONFINED TO HUMANKIND. THUS IT IS THOUGHT, FOR INSTANCE, THAT CERTAIN DEER IN PALEONTOLOGICAL TIMES SUCCUMBED AS THEY ACQUIRED OVERLY-HEAVY HORNS. THE MUTATIONS MUST BE CONSIDERED BLIND, THEY WORK, ARE THROWN FORTH, WITHOUT ANY CONTACT OF INTEREST WITH THEIR ENVIRONMENT. IN DEPRESSIVE STATES, THE MIND MAY BE SEEN IN THE IMAGE OF SUCH AN ANTLER, IN ALL ITS FANTASTIC SPLENDOUR PINNING ITS BEARER TO THE GROUND (The Last Messiah).

QWERTY 2027 = (V. V.) BLESSED IS NOT I, NOT THOU, NOT HE, BLESSED WITHOUT NAME OR NUMBER WHO HATH TAKEN THE AZURE OF NIGHT, AND CRYSTALLIZED IT INTO A PURE SAPPHIRE-STONE, WHO HATH TAKEN THE GOLD OF THE SUN, AND BEATEN IT INTO AN INFINITE RING, AND HATH SET THE SAPPHIRE THEREIN, AND PUT IT UPON HIS FINGER. REFRAIN (The Cry of the 9th Aethyr, Which is Called ZIP) = DENNIS POGUE, MOUNT VERNON'S CHIEF HISTORIAN AND DIRECTOR OF PRESERVATION NOTED THAT THE RECONSTRUCTED DISTILLERY'S CORNERSTONE IS A SANDSTONE BLOCK FROM THE ORIGINAL 1793 U.S. CAPITOL AND FROM THE SAME VEIN OF SANDSTONE WHICH GEORGE WASHINGTON USED TO BUILD HIS DISTILLERY IN 1797 (George Washington's Gristmill).

QWERTY 2046 = ELEMENTARY LESSONS IN ENGLISH ETYMOLOGY WITH COPIOUS EXERCISES. THE STEMS ARE ARRANGED TO ILLUSTRATE THE RULES FOR FORMING DERIVATIVE AND COMPOUND WORDS. PART I. SEPARABLE WORDS. BY O. ALLEN FERRIS, FORMERLY A STUDENT IN UNIVERSITY COLLEGE, LONDON. LONDON: SIMPKIN, MARSHALL, AND CO. 1862 (Elementary Lessons in English Etymology) = THE PRACTICE OF SINGING MUSIC TO SYLLABLES DESIGNATING PITCH GOES BACK TO ABOUT AD 1000 WITH THE WORK OF GUIDO OF AREZZO; OTHER EARLY WORK IN THIS AREA INCLUDES THE CIPHER NOTATION OF JEAN-JACQUES ROUSSEAU (18TH CENTURY), AND THE TONIC SOL-FA OF JOHN CURWEN (19TH CENTURY) (Shape note) = ZURESCH OD ADAPH MAL SES GENO AU MARLAN O MUSPA AGIOD PAN GA SES GAMPEDAZ CAPCNEH GO OD SEMELABUGEN DOMNA PHIAM GA VANCRAN VREPRES ADEPD AZE DRUZ TARDEMAH UA CESTS GRAPAD SED UNBAR DOMIOL ADEPOAD CHEUACH MAH OSSHE DAPH ONIZDAR PANGEPHI ODAMH GEMEDSAL A DINOZA HOXPOR ADPUN DAR GARMES.

QWERTY 2093 = ADGT VPAAH ZONG OM FAAIP SALD VIV L SOBAM IALPRG IZAZAS PIADPH CASARMA ABRAMG TA TALHO PARACLEDA Q TA LORSLQ TURBS OOGE BALTOH GIVI CHIS LUSD ORRI OD MICALP CHIS BIA OZONGON LAP NOAN TROF CORS TA GE OQ MANIN IAIDON TORZU GOHEL ZACAR CA CNOQOD ZAMRAN MICALZO OD OZAZM VRELP LAP ZIR IOIAD (2nd Key) = CHARLES BONNET: WHAT HAVE I DONE? I'VE GIVEN THE WORLD A PRECIOUS OPPORTUNITY OF STUDYING AND VIEWING THE CELLINI VENUS / NICOLE BONNET: WHICH IS NOT BY CELLINI! / CHARLES BONNET: AHH, LABELS, LABELS. IT'S WORKING WITH THE AMERICANS THAT'S GIVEN YOU THIS OBSESSION WITH LABELS AND BRAND NAMES (The Cinema of Forgery) = THE FUNNY THING ABOUT A BEAUTIFUL GARDEN IS THAT IT'S WONDERFUL WHEN YOU LOOK AT IT, BUT NONE OF THOSE PLANTS CAN GROW IF THEY DON'T LIVE IN DIRT. IT'S GRIMY, THERE ARE WORMS IN IT, ROCKS, STICKS, BUT THAT'S WHAT'S REQUIRED; WITH A LITTLE DIRT AND RAIN, YOU BECOME BEAUTIFUL = THE MISSION OF THE NCTC IS TO CONDUCT "STRATEGIC OPERATIONAL PLANNING FOR CT ACTIVITIES ACROSS THE USG, INTEGRATING ALL INSTRUMENTS OF NATIONAL POWER, INCLUDING DIPLOMATIC, FINANCIAL, MILITARY, INTELLIGENCE, HOMELAND SECURITY, AND LAW ENFORCEMENT TO ENSURE UNITY OF EFFORT = THE PLOT OF OUR STORY RUNS IN A STRAIGHT LINE… THE AUTHOR, HOWEVER, PROCEEDS IN A DIFFERENT FASHION. BECAUSE AT ALL TIMES HE LETS US SEE, FEEL, AND BE AWARE OF THE STRAIGHT LINE WHICH THE ACTION SHOULD FOLLOW, WE ARE EVEN MORE KEENLY CONSCIOUS OF THE DIGRESSIONS AND LOOPS IT DESCRIBES IN ACTUAL FACT.

QWERTY 2177 = . . . . . . . . . ^ . . . . . . . . . . . . XX...XI. . . . . . . . . .Fire...♌ “11” <--------------> 2³ ♎ . . . . . . /............\ . . . . . . . . . . II . . . . . . . . . . . . . . ☽ . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 ☽♎ . . . . . . . . . . . Swords . . . . . . . . . . . . . . . . . . . . . . . . .2 ♀♋ . . . . . . . . . . Cups . . . . . . . . . . . . . . . . . . . . . . . . . . 2 ♂♈ . . . . . . . . . . . Wands . . . . . . . . . . . . . . . . . .. . . . . . . 2 ♃♑ . . . .. . . . . . . Disks . . . . . . . . . . . . . . . . . . ../6☉♏] . . . . . . . ./ 6 ☽♉]<------------------------ XIX/ cups ] . . . ☉ . . / disks ]<------------------------- ☉.[ ---- ] . . . . . . . .[ ----- ]<-----10 ☉♊---10 ♄♐--- X ---10 ♂♓---10 ☿♍.[ 6♃♌ ] . . . ♃ . . . [ 6☿♒ ]<-- swords----wands--(“4”)---cups-----disks..[wands] . . . . . . . [sword]<------------------------- I.[ ---- ] . . . ☿ . . . .[ ----- ]<------------------------- ☿[- VI ♊ -] . . . . . . [ -XV ♑- ]. . . . . . . . . / \. . . . . . . . ./ - \. . . . . . . . / --- \. . . . . . . ./ ----- \. . . . . . ./ -- ♐ -- \ ♂ XVI. . . . . . /[ -XIV-- ]\. . . 7♂♌ [ ------ ] ------------------------------>Ace: AIR. .wands [ -5☿♉- ]. . . . . . .[ disks- ]. . . . . . .[ ------ ] 7 ♄♉ disks ------------------>Ace: WATER. . . . . . .[ -5♄♌- ]. . . . . . .[ wands]. . .7♀♏ [ ------ ] ------------------------------>Ace: FIRE. . .cups [ 5 ♂♏ ]. . . . . . .[ -cups ]. . . . . . .[ ------ ] 7 ☽♒ swords --------------->Ace: EARTH. . . . . . .[ 5 ♀♒ ]. . . . . . .[swords]. . VII ♋ [ ------ ]. . . . . . .[ -V ♉- ]. . ./4\. . . . . /4\ . . . . . /4\. . . . . /4\. . / ♃ \ . . . ./....\ . . . . /....\ . . . / ☉\. . \ ♎ \ . . ./ ♋☽ \ . . ./ ♈♀ \. . . / ♑ /. . . \ . 0=22 . . . . 2²=♈ . . XIII=♏ / --->0=Air/OX-->IV=Aries=Antimony. . . . \_______________________/. . . . 3 ♄♎ ~ ~ ~ ~ ~ ~ ~ ~ ~ 3 ♂♑. . . . swords ~ ~ ~ ~ ~ ~ ~ ~ disks. . . . . . .3 ☿♋ ~ ~ ~ ~ ~ ~ 3☉♈. . . . . . . cups ~ ~ ~ ~ ~ wands. . . . . . . . . . . . . . III ♀. . . . . . . . . . . . .XII Water . . . . . . . . . . . . . . XXI ♄.......................... 2² ♈ Window <----------> ♒ Fishhook 17............................./....\............................................/........\............... ........♃♊ 8______/_______\____8 ☿♐ ...............\......../..............\....../.......................\...../................\..../..........................\./...................\./............................/..\................../.\........................../......\.............../....\.................♄♓ 8/_____\_______/____\8☉♍ ............................\........./.............................................\...../.................................................\../.................................................. 2³ ♎ OX Goad <-------> ♌ Serpent (Prisca Sapientia) = 1 SEVERAL SQUARES ON THE TABLETS HAVE MORE THAN ONE LETTER ATTRIBUTED TO THEM IN VARIOUS VERSIONS OF DEE'S RECORDS. MOST OF THEM ARE IN THIS LINE OF THE EARTH TABLET. THE ONE SHOWN IN THE HIGHER POSITION IN THE SQUARE IS CONSIDERED TO BE PREFERABLE, BUT THE USE OF BOTH AT ONCE IS SOMETIMES EFFECTIVE FOR ASTRAL VISIONS (Touring the Earth Tablet, Benjamin Rowe :: I had determined to do an exploration of a square of an Enochian tablet following the directions and system described by Regardie in The Golden Dawn. I selected a square from the Earth tablet, "T" or "M"1, the rightmost kerubic square of the Fiery Lesser Angle) = A TRADITION PRESERVED BY PETRUS COMESTOR SAYS THAT AT THE SUMMER SOLSTICE THE SUN CASTS NO SHADOW ON "JACOB'S FOUNTAIN" (CLOSE TO GERIZIM). AND HE GOES ON: "SUNT QUI DICUNT LOCUM ILLUM ESSE UMBILICUM TERRAE NOSTRAE HABITABILIS" ("SOME SAY THAT THE PLACE IS THE NAVEL OF OUR HABITABLE EARTH") ({236} Archaic Techniques of Ecstasy) = UNICITY \U*NIC"I*TY\, N. [L. UNICUS SINGLE. SEE UNIQUE.] • THE CONDITION OF BEING UNITED; QUALITY OF THE UNIQUE; UNIFICATION • NOT UNITY, BUT WHAT THE SCHOOLMEN CALL UNICITY —DE QUINCEY • THE UNICITY WE STRIVE NOT TO EXPRESS, FOR THAT IS IMPOSSIBLE, BUT TO DESIGNATE BY THE NEAREST ANALOGY —COLERIDGE.

QWERTY 596 = SUNT QUI DICUNT LOCUM ILLUM ESSE UMBILICUM TERRAE NOSTRAE HABITABILIS ({268} Archaic Techniques of Ecstasy) = SUNT QUI DICUNT LOCUM ILLUM ESSE UMBILICUM TERRAE NOSTRAE HABITABILIS (The Pivot of the Four Quarters • Celebration of Place {pdf}) = IMPENDING CLOSURE IS NOT MERELY SENSED BUT OFTEN WELCOMED DURING THIS FINAL PHASE.

QWERTY 2115 = ACCORDING TO ISRAEL ḤAZZAN, "THE RANK OF OUR LORD ISHAMEL WILL BE LIKE THAT OF AMIRAH AT THE TIME OF HIS ANOINTING, FOR [AFTER THE ULTIMATE MANIFESTATION] AMIRAH WILL BE EXALTED BEYOND THE COMPREHENSION OF MORTALS, BUT 'HIS SEED SHALL MIGHTY UPON THE EARTH' (PS. 112:2) AND HE [THAT IS, ISMAEL] WILL BE OUR LORD (Sabbatai Sevi: The Mystical Messiah, 1626-1676) = PROGRAM INTEGRATION: MAINTAIN TRACEABILITY OF ALL PROJECTS TO THE POR, TECHNICAL SUPPORT TO PROJECTS IN FY11 PLAN EXECUTION, AND PREPARE FOR THE NEXT WAVE OF EXPLORATION DDT&E, INCLUDING SUPPORT FOR ARCHITECTURE STUDIES AND PROGRAM/PROJECT FORMULATION STRATEGIES LED BY ESMD (Keeping our balance) = {rumors}.

QWERTY 2117 = IN OTHER WORDS, THIS PHASE BRINGS TO LIGHT DISTORTIONS AND INADEQUACIES IMPAIRING THE ACTUALIZATION OF THE NEW QUALITIES OF BEING UNFOLDING THROUGH THE CYCLIC PROCESS; BUT IT ALSO SIGNALS THE RISE OF INDIVIDUAL WILL AND SKILLFUL MEANS REQUIRED TO REMEDY THE SITUATION… OR TO EXACERBATE IT (PHASE 26 - The Waning TriDecile) = RUBATO MUST EMERGE SPONTANEOUSLY FROM THE MUSIC, IT CAN'T BE CALCULATED BUT MUST BE TOTALLY FREE. IT'S NOT EVEN SOMETHING YOU CAN TEACH: EACH PERFORMER MUST FEEL IT ON THE BASIS OF HIS OR HER OWN SENSITIVITY. THERE'S NO MAGIC FORMULA: TO ASSUME OTHERWISE WOULD BE RIDICULOUS (Tempo rubato) = THE TOTAL MOVEMENT IN THIS FORM OF APPEARANCE. FINALLY, THOSE THREE (WAGE, GROUND RENT, PROFIT/INTEREST) SOURCES OF REVENUE OF THE THREE CLASSES OF LANDLORDS, CAPITALISTS AND WAGE LABORERS-THE CLASS STRUGGLE AS CONCLUSION, INTO WHICH THE MOVEMENT AND THE DISSOLUTION OF ALL THIS SHIT RESOLVES ITSELF (Marx to Engels, 4/30/1868) = THIS QUESTION IS STILL USED IN DISCUSSIONS OF THE LABOR THEORY OF VALUE AND RELATED ISSUES. MCCULLOCH USED IT TO ILLUSTRATE THAT "TIME CANNOT OF ITSELF PRODUCE EFFECT; IT MERELY AFFORDS SPACE FOR REALLY EFFICIENT CAUSES TO OPERATE, AND IT IS THEREFORE CLEAR IT CAN HAVE NOTHING TO DO WITH VALUE" [+].

QWERTY 2123 = IT IS AN ALLEGORIC ROMANCE (STORY) DIVIDED INTO SEVEN DAYS, OR SEVEN JOURNEYS, LIKE GENESIS, AND TELLS US ABOUT THE WAY CHRISTIAN ROSENKREUZ WAS INVITED TO GO TO A WONDERFUL CASTLE FULL OF MIRACLES, IN ORDER TO ASSIST THE CHYMICAL WEDDING OF THE KING AND THE QUEEN, THAT IS, THE HUSBAND AND THE BRIDE (Chymical Wedding of Christian Rosenkreutz) = THE DILEMMA FELT BY SCIENCE FICTION WRITERS WILL BE PERCEIVED IN OTHER CREATIVE ENDEAVORS… AS WE MOVE CLOSER TO THIS POINT, IT WILL LOOM VASTER AND VASTER OVER HUMAN AFFAIRS TILL THE NOTION BECOMES A COMMONPLACE. YET WHEN IT FINALLY HAPPENS IT MAY STILL BE A GREAT SURPRISE AND A GREAT UNKNOWN = THE WHEEL ROTATED ON A 71-TON, 45.5-FOOT AXLE COMPRISING WHAT WAS AT THAT TIME THE WORLD'S LARGEST HOLLOW FORGING, MANUFACTURED IN PITTSBURGH BY THE BETHLEHEM IRON COMPANY AND WEIGHING 89,320 POUNDS, TOGETHER WITH TWO 16-FOOT-DIAMETER (4.9 M) CAST-IRON SPIDERS WEIGHING 53,031 POUNDS (Ferris wheel) = THERE ARE FOUR COORDINATE BODIES WITHIN THE SCOTTISH RITE SOUTHERN JURISDICTION: 1. LODGE OF PERFECTION, 4°-14° (PRESIDING OFFICER - VENERABLE MASTER) 2. CHAPTER OF ROSE CROIX, 15°-18° (PRESIDING OFFICER - WISE MASTER) 3. COUNCIL OF KADOSH, 19°- 30° (PRESIDING OFFICER - COMMANDER) 4. CONSISTORY, 31°- 32° (PRESIDING OFFICER - MASTER OF KADOSH) (Scottish Rite Degrees).

QWERTY 2131 = THINK THEN THAT THOU HAST THYSELF CREATED THIS SHADOW-WORLD THE UNIVERSE, AND THAT IT PLEASURETH THEE TO WATCH OR TO ACTUATE ITS PLAY ACCORDING TO THE LAW THAT THOU HAST MADE, WHICH YET BINDETH THEE NOT SAVE ONLY BY VIRTUE OF THINE OWN WILL TO DO THINE OWN PLEASURE THEREIN = WE TOOK A HELICOPTER UP THE CHICAGO RIVER. THIS IS THE FIRST CHANCE I'D REALLY HAD TO GET OUTSIDE WHILE MAKING A MOVIE. UP TO THIS POINT, THE PICTURES HAD BEEN PRETTY SMALL. I REALLY WANTED TO CAPTURE AS MUCH OF CHICAGO AS I COULD, NOT JUST THE ARCHITECTURE AND THE LANDSCAPE, BUT THE SPIRIT (Ferris Bueller's Day Off).

QWERTY 2149 = IN THE BOURGEOISIE WE HAVE TWO PHASES TO DISTINGUISH: THAT IN WHICH IT CONSTITUTED ITSELF AS A CLASS UNDER THE REGIME OF FEUDALISM AND ABSOLUTE MONARCHY, AND THAT IN WHICH, ALREADY CONSTITUTED AS A CLASS, IT OVERTHREW FEUDALISM AND MONARCHY TO MAKE SOCIETY INTO A BOURGEOIS SOCIETY = IT'S FUNNY READING INTO THE LACK OF UNDERSTANDING FROM THE PEOPLE LEAVING COMMENTS. IF YOU NEED TO, SKIP TO "THE PUNCHLINE" AND SEE IT IS MERELY A TEST OF RADICAL NIHILISM IN FULL EFFECT. STOP TRYING TO DRAG EMOTIONS INTO SOMETHING THAT IN IT'S ENTIRETY WAS MEANT TO EXPOSE THE INHERENT IRRELEVANCE IN EMOTION ITSELF.

QWERTY 2172 = DEAR TO YOU IS YOUR WIFE, DEARER TO YOU IS WISDOM, DEAREST TO YOU AM I. THOUGH CHOSEN, YOU TREMBLE, AND IN HESITATING YOU SIN. DO NOT THEREFORE [HESITATE] TO KNOW THE MIND AND THE FLESH; BUT OBEY ME, FOR I AM YOUR LEADER, AND THE CREATOR OF ALL SPIRITS. ALL THESE THINGS ARE FROM ME, AND ARE PERMITTED TO YOU ({50} The Complete Enochian Dictionary) = THE CENTRE FOR CULTURAL STUDIES PRESENTS: ACCELERATIONISM :: THIS ONE-DAY SYMPOSIUM WILL THINK THROUGH THE IMPLICATIONS OF ACCELERATIONISM IN THE LIGHT OF THE FORTHCOMING PUBLICATION OF NICK LAND'S FANGED NOUMENA: COLLECTED WRITINGS 1987-2007 AND BENJAMIN NOYS'S THE PERSISTENCE OF THE NEGATIVE.

QWERTY 2184 = A TRADITION PRESERVED BY PETRUS COMESTOR SAYS THAT AT THE SUMMER SOLSTICE THE SUN CASTS NO SHADOW ON "JACOB'S FOUNTAIN" (CLOSE TO GERIZIM). AND HE GOES ON: "SUNT QUI DICUNT LOCUM ILLUM ESSE UMBILICUM TERRAE NOSTRAE HABITABILIS" ("SOME SAY THAT THE PLACE IS THE NAVEL OF OUR HABITABLE EARTH").34 ({236} Archaic Techniques of Ecstasy) = TO USE THE HOLOGRAM METAPHOR, THE UNIVERSE IS A COMPOSITE OF BILLIONS OF VIEWS OF REALITY SUPERIMPOSED. FROM ANY PARTICULAR VIEWPOINT, MANY OF THE PATTERNS CANCEL OUT BECAUSE OF DESTRUCTUVE INTERFERENCE. THE PATTERNS WHICH INTERACT CONSTRUCTIVELY BECOME THE PHENOMENA THAT WE PERCEIVE = YOU GET IT? IT'S A NETWORK — A GLOBAL NETWORK. AND THE NA'VI CAN ACCESS IT — THEY CAN UPLOAD AND DOWNLOAD DATA — MEMORIES — AT SITES LIKE THE ONE YOU JUST DESTROYED. YOU NEED TO WAKE UP, PARKER. THE WEALTH OF THIS WORLD ISN'T IN THE GROUND - IT'S ALL AROUND US. THE NA'VI KNOW THAT, AND THEY'RE FIGHTING TO DEFEND IT.

QWERTY 577 = 34 ERIC BURROWS, "SOME COSMOLOGICAL PATTERNS IN BABYLONIAN RELIGION," PP. 51, 62, N. 1 ({236} Archaic Techniques of Ecstasy) = A RED LIGHT BEFORE A CIGAR STORE, CIDER ROOM OR COFFEE ROOM INDICATED ITS PURPOSE = {email pjm¹} = PARCE QUE BAGUETTE MAGIQUE POUR AUGMENTER LA RICHESSE DU PRODUCTEUR = SSP AIMING TO FIND THE BALANCE BETWEEN SHUTTLE LEGACY AND HLV ADVANCEMENT = THAT INFINITESIMAL BUT DECISIVE TENSION, THE PRECISE PLACE OF VERTIGINOUS KINAESTHESIA (A harlot high and low) = {email pjm²}.

QWERTY 475 = BECAUSE THE MAGIC WAND INCREASES THE RICHES OF THE PRODUCER = B2H6 / 10 kg + 3 O2 / x g → B2O3 + 3 H2O × g O2 = 10,000 g B2H6 × (1 mol B2H6) / (27.6 g B2H6) × (3 mol O2) / (1 mol B2H6) × (32 g O2) / (1 mol O2) = LES 'BLANCS' EN EFFET, ASSUMENT L'IMPORTANCE, FRAPPENT D'ABOARD (Mallarmé) = MERCANTILISM WAS THE ECONOMIC THEORY WHICH GUIDED ENGLAND.

QWERTY 474 = INDEED, THE WHITE SPACES TAKE THE INITIATIVE AND MAKE THE FIRST IMPRESSION = IF EVERYTHING IS READY HERE ON THE DARK SIDE OF THE MOON, PLAY THE FIVE TONES = PARTISANS OF THIS DIAGONAL I'M AWARE OF NOW NEATLY DIVIDED INTO ALLIES = TAKE EVERYTHING FROM THE LADY. FOLLOW HER PATTERN NOTE FOR NOTE.

QWERTY 1942 = TO GET THE SPACESHIPS' ATTENTION PRIOR TO THEIR ARRIVAL AT DEVILS TOWER, THE FIVE NOTES THE SCIENTISTS PLAY ARE G, A, F, (OCTAVE LOWER) F, C. WHEN THEY ARRIVE AT THE TOWER AND ARE ATTEMPTING COMMUNICATION, THE NOTES THEY PLAY ARE B FLAT, C, A FLAT, (OCTAVE LOWER) A FLAT, E FLAT = THE CULMINATION POINT OF ATTACK AND THE CULMINATION POINT OF VICTORY ARE CONCEPTS CLAUSEWITZ HAS DEVELOPED IN GREATER DEPTH. BOTH CONCEPTS ARE BASED ON HIS UNDERSTANDING OF STRATEGY. AS WE SEE IT TODAY, HOWEVER, THEY ARE RELATED TO DIFFERENT LEVELS OF WARFARE (Clausewitz and the Culmination Point of Victory) = ZURESCH OD ADAPH MAL SES GENO AU MARLAN OH MUZPA AGIOD PAN GA SES GAMPEDAZ KAPHENE GO[LE] OD SEMEL-BUGEN DOMKA PHIAM GA VANKRAN VREPRES -DEPD AZE DRUZ TARDEMAH VA CESTS GRAPAD ZED UNBAR DOMI+L ADEP+AD CHIEUAK MAH OSHE DAPH ONIZDAR PANGEPI ADAMH GEMEDSOL A DINOXA HOXPOR ADPUN DAR GHARMES.

QWERTY 326 = B FLAT, C, A FLAT, (OCTAVE LOWER) A FLAT, E FLAT = CYBERNETIC CULTURE RESEARCH UNIT = ENTREPRENEURSHIP AND INVENTION AS HANDMAIDENS = FOR LAND ONLY AN ORGY OF SLAUGHTER WILL DO = G.W.G. FERRIS & CO. IN PITTSBURGH, PENNSYLVANIA = SORCERY PRACTICES HAVE NO INTRINSIC VALUE = THE INITIALS OF FOUR-NOTE SYLLABLES (FA, SOL, LA, ME) (Shape note) = TRITICUM ÆSTIVUM RUBRUM, SPICA ALBA (Red Spring Wheat, With A White Spike) = TYRIAN PURPLE (IMPERIAL PURPLE) (HEX: #66023C) (RGB: 102, 2, 60) .

QWERTY 2203 = RELIABILITY, COORDINATION, SCREW, TIME, ACCURACY, VERTICAL, STUDIO SHOT, CLOSE-UP, DIGITAL COMPOSITE, CLOCK, UK, CIRCLE, OLD-FASHIONED, GOLD, EDWARDIAN STYLE, LONDON - ENGLAND, POCKET WATCH, ORNATE, CLOCKWORKS, PERPETUAL MOTION, NO PEOPLE, PHOTOGRAPHY, PINION, CAPITAL CITIES, SINGLE OBJECT, PARSONS GREEN (Edwardian Fob Watch • The Playwright's The Thing) = THE FRENCH NAME, CROCHE IS FROM THE SAME SOURCE AS CROTCHET, THE BRITISH NAME FOR THE QUARTER NOTE. THE NAME DERIVES FROM CROCHATA ("HOOKED"), TO APPLY TO THE FLAGS OF THE SEMIMINIMA (IN WHITE NOTATION) AND FUSA (IN BLACK NOTATION) IN MENSURAL NOTATION; THUS THE NAME CAME TO BE USED FOR DIFFERENT NOTES (eighth note) = THE PROPOSED FALCON 9 HEAVY CONFIGURATION CONSISTS OF A STANDARD FALCON 9 WITH TWO ADDITIONAL FALCON 9 FIRST STAGES ACTING AS LIQUID STRAP-ON BOOSTERS,[8] WHICH IS CONCEPTUALLY SIMILAR TO EELV LAUNCHERS DELTA IV HEAVY AND THE FUTURE ATLAS V HLV, AND ALSO TO THE RUSSIAN ANGARA CARRIER ROCKET.

QWERTY 2214 = AND THERE IS A WRITING IN AN ARCH THAT SPANS THE CROSS, IN AN ALPHABET IN WHICH THE LETTERS ARE ALL FORMED OF LITTLE DAGGERS, CROSS-HILTED, DIFFERENTLY ARRANGED. AND THE WRITING IS: WORSHIP IN THE BODY THE THINGS OF THE BODY; WORSHIP IN THE MIND THE THINGS OF THE MIND; WORSHIP IN THE SPIRIT THE THINGS OF THE SPIRIT (The Cry of the 19th Aethyr, Which is Called POP) = SOON THE DWARFS BROUGHT THEM A WONDROUS CHAIN COMPOSED OF SIX INGREDIENTS: THE MIAUL OF A CAT, THE BEARD OF A WOMAN, THE ROOTS OF A MOUNTAIN, THE TENDONS OF A BEAR, THE BREATH OF A FISH AND THE SPITTLE OF A BIRD. THIS CHAIN WAS SUPPLE AND SOFT AS A SILK RIBBON AND YET OF A SOLIDITY WHICH PASSED EVERY TEST (The Larousse Encyclopedia of Mythology) = THIS BOOK IS THE FIRST COMPREHENSIVE PUBLICATION DEDICATED TO THE PERFORMANCE OF FRANZ SCHUBERT'S MUSIC. IT PRESENTS AN INFORMATION-BASE DESIGNED TO ALLOW PERFORMERS TO REACH AS CLOSE AN UNDERSTANDING OF FRANZ SCHUBERT'S MUSIC AS THE COORDINATION OF TALENT, THOUGHT, AND RESEARCH PERMITS ({viii} Franz Schubert's Music in Performance).

QWERTY 2228 = FOR A BETTER UNDERSTANDING OF THIS CONCEPT OF PUTTING THE BURDEN OF DEFEAT ON THE ENEMY OR ON EXTERNAL CONDITIONS, ONE MAY USE THE PARALLEL OF THE PULLEY OR THE LEVER. THE ANCIENT CHINESE INVENTED SOMETHING SIMILAR FOR SOCIAL RELATIONS; THEY TRIED TO USE THE SMALLEST POSSIBLE FORCE TO OVERCOME GREAT RESISTANCE (Sun Tzu's Principles of Action) = {Dee/Kelley wife-swapping}.

QWERTY 2238 = HOW MEAN AND GRUDGING PREVAILING SEXUAL BEHAVIOUR APPEARS, IMBUED AS IT SO OFTEN IS WITH ROTE HABITS AND FELLATIO, WHEN MATCHED AGAINST THE TRANSCENDENT POSSIBILITIES OF WHAT BATAILLE DESCRIBED AS 'AN EROTICISM AT WHITE HEAT' WHICH IS 'THE BLIND MOMENT WHEN EROTICISM ATTAINS ITS ULTIMATE INTEGRITY' ({57} Fellatio, masochism, politics and love) = THE CIPHER SHOWS A NUMBER OF MINOR ERRORS - APART FROM THE MAJOR FAULT THAT MOST OF THE NUMBERS ARE ONE OUT; DEE'S MARGINAL NOTE IS 'I PERCEIVE THAT COMMONLY ONE IS TO BE ABATED OF THE NUMBER'. IT WOULD REQUIRE A GREAT DEAL OF CREDULITY TO ASCRIBE SUCH AN ERROR TO THE ANGELS, RATHER THAN TO KELLEY. ({50} The Complete Enochian Dictionary).

QWERTY 2244 = 21) THERE IS NO LIMIT TO THE EXTENT OF THE RELATIONS OF ANY MAN WITH THE UNIVERSE IN ESSENCE; FOR AS SOON AS MAN MAKES HIMSELF ONE WITH ANY IDEA THE MEANS OF MEASUREMENT CEASE TO EXIST. BUT HIS POWER TO UTILIZE THAT FORCE IS LIMITED BY HIS MENTAL POWER AND CAPACITY, AND BY THE CIRCUMSTANCES OF HIS HUMAN ENVIRONMENT (Magick in Theory and Practice) = BY TRAINING HE WAS ANOTHER LAWYER — OR RATHER, HIS TRAINING AS A LAWYER WAS JUST PART OF A VASTER TRAINING IN THE VAGUER CAREER OF A PHILOSOPHE, THAT CAREER THAT IS NOT, LIKE THAT OF LAW, INSTITUTIONALLY RECOGNIZED, AND SEEMS LIKE NO CAREER AT ALL TO PEOPLE WHO HAVE SHORT VIEWS OF THE AMPLITUDES OF THE HUMAN SOUL (active and passive revolution) = JUDGMENT PREVENTS THE EMERGENCE OF ANY NEW MODE OF EXISTENCE… HEREIN, PERHAPS, LIES THE SECRET: TO BRING INTO EXISTENCE AND NOT TO JUDGE. IF IT IS SO DISGUSTING TO JUDGE, IT IS NOT BECAUSE EVERYTHING IS OF EQUAL VALUE, BUT ON THE CONTRARY BECAUSE WHAT HAS VALUE CAN BE MADE OR DISTINGUISHED ONLY BY DEFYING JUDGMENT (Gilles Deleuze) = NOUN 1. SALOL - A WHITE POWDER WITH A PLEASANT TASTE AND ODOR; USED TO ABSORB LIGHT IN SUN TAN LOTIONS OR AS A PRESERVATIVE OR AN ANTISEPTIC OR A COATING FOR PILLS IN WHICH THE MEDICINE IS INTENDED FOR ENTERIC RELEASE; PHENYL SALICYLATE; SALICYLATE - A SALT OF SALICYLIC ACID (INCLUDED IN SEVERAL COMMONLY USED DRUGS) = THE I·GED IS AN ENOCHIAN GRIMOIRE THAT CONTAINS THE CALLS AND THE TABLES OF NAMES OF THE SPIRITGROUPS WHICH WAS ENTITLED WITH NUMBERS IN CALLS OR KEYS OF DEE AND KELLY. THESE SPIRITGROUPS HAVE DIVERSE FUNCTIONS AND OFFERS THE ENOCHIAN MAGICIAN WITH SPECIFIC TOOLS AND THAT OFTEN WHERE THERE HAS BEEN NONE BEFORE = THIS REFLECTS THE JOURNEY BEING MADE IN SOME FIELDS OF PSYCHOTHERAPY — IN WHAT SAMUELS CALLS 'THE COUNTERTRANSFERENCE REVOLUTION' — FROM A LARGELY OBJECTIFYING ATTITUDE TOWARDS THE CLIENT, TO AN APPROACH WHICH VALUES EVER MORE HIGHLY THE SUBJECTIVE BODY, OR SOMATIC COUNTERTRANSFERENCE.

QWERTY 2248 = MOST IMPORTANT, WE ARE NOT ENDING OUR AMBITIONS TO EXPLORE SPACE. IN ORDER TO EXPLORE NEW FRONTIERS, WE ARE LAUNCHING A VIGOROUS NEW TECHNOLOGY DEVELOPMENT AND TEST PROGRAM THAT WILL PURSUE GAME-CHANGING TECHNOLOGY DEVELOPMENT THAT CAN TAKE US FURTHER AND FASTER AND MORE AFFORDABLY INTO SPACE = WHILE RUBATO IS OFTEN TAKEN TO LOOSELY MEAN PLAYING WITH EXPRESSIVE AND RHYTHMIC FREEDOM; IT TRADITIONALLY WAS USED SPECIFICALLY IN THE CONTEXT OF EXPRESSION BY SPEEDING UP AND THEN SLOWING DOWN. IN THE PAST EXPRESSIVE AND FREE PLAYING (BEYOND ONLY RUBATO) WAS OFTEN ASSOCIATED WITH THE TERMS "AD LIBITUM" = WHILE THERE IS THE OBVIOUS JUMBLE OF THE LETTERS IN THE WORD MASON, WHICH MOST PEOPLE JUMP AT, I WOULD POINT OUT THAT A MORE RATIONAL AND COMPLETE SOLUTION WOULD BE THE WORD MONAS (A SIMPLE CLOCKWISE SEQUENCE) CONFIRMED BY THE TOP SIXTH POINT OF THE HEXAGRAM WHICH FORMS AND FRAMES A TRIANGLULAR DELTA (Hexagram overlay of Great Seal (Reverse side)).

QWERTY 92 = AD LIBITUM = ARMAGEDDON = GPMRUTRH (8×8) = INNOVATIVITY = SUH-JULIETTE = ZEUS ÆGIOCHUS.

QWERTY 253 = GED MALS TAL DON VAU GISA DON NA-HATH (GPMRUTRH) = GON NA-HATH GRAPH GAL DON UN VAU GED (IHEDRAUG, 8×8) = RED SPRING WHEAT, WITH A WHITE SPIKE = THE STORY OF THE POCKET WATCH (The Playwright's The Thing)

QWERTY 207 = GED MALS TAL DON VAN GISG DON NA = RECULER POUR MIEUX SAUTER = THE FIFTIETH SPIRIT IS FURCAS = TOUTE PENSÉE ÉMET UN COUP DE DÉS = UN VEH UN GED DRUX MALS UR VAN (ACAGNPLU, 8×8).

QWERTY 2860 = THE FIFTIETH SPIRIT IS FURCAS. HE IS A KNIGHT, AND APPEARETH IN THE FORM OF A CRUEL OLD MAN WITH A LONG BEARD AND A HOARY HEAD, RIDING UPON A PALE-COLOURED HORSE, WITH A SHARP WEAPON IN HIS HAND. HIS OFFICE IS TO TEACH THE ARTS OF PHILOSOPHY, ASTROLOGY, RHETORIC, LOGIC, CHEIROMANCY, AND PYROMANCY, IN ALL THEIR PARTS, AND PERFECTLY. HE HATH UNDER HIS POWER 20 LEGIONS OF SPIRITS. HIS SEAL, OR MARK, IS THUS MADE, ETC (Goetia) = DISCIPLINING JANE RETAINS THE THREATENING AND SADISTIC INTENT OF CHARLOTTE BRONTE'S JANE EYRE, RETELLING THE STORY WITH AN EROTIC TWIST. AFTER ENDURING CONSTANT SCRUTINY FROM HER CRUEL ADOPTIVE FAMILY, YOUNG JANE IS SENT TO LOWOOD, A BOARDING SCHOOL KNOWN FOR ITS STRICT DISCIPLINARY PRACTICES. THERE JANE IS TAUGHT THE WAYS OF THE ROD THAT RENDER HER FIRST IN HER CLASS = RESPONSES TO SCHUBERT'S STRUCTURAL CHARACTERISTICS, THEN, HAVE TAKEN US IN TWO HISTORICAL DIRECTIONS AT ONCE: THE ONE (GREAT TEMPO SWINGS AND NON-METRICAL RUBATO) TOWARDS A LATER MID-ROMANTIC PERIOD AND THE OTHER (ORNAMENTATION AND EMBELLISHMENT) STRAIGHT BACK TO THE EIGHTEENTH CENTURY. NEITHER OF THEM PINPOINTS SCHUBERT'S OWN PERIOD OR HIS HIGHLY PERSONAL STYLE ({42} Franz Schubert's Music in Performance) = THE FIERY AND SULPHUROUS FUMES ATTENDANT ON THE WORK WOULD THUS SEEM TO DENOTE SPIRITUAL, OR PSYCHOLOGICAL, DANGERS RATHER THAN POISONOUS VAPOURS. YET ANOTHER PASSAGE SUGGESTS THAT THE SUBJECT WHICH IS TO BE TRANSMUTED IN THE PROCESS SYMBOLIZED BY THE MONAD IS THE ARTIST, OR MAGUS, HIMSELF, AND THAT IT IS HIS SOUL WHICH, IN A MYSTICAL SENSE, HAS TO BE SEPARATED FROM ITS BODY (A Translation of John Dee's "Monas Hieroglyphica").

QWERTY 2857 = FORCAS/ FORRAS/ FURCAS IS A KNIGHT AND HIGH PRESIDENT OF HELL CONTROLLING 29 LEGIONS OF DEMONS. HE APPEARS AS A MAN WITH A LONG BEARD AND WHITE HAIR, RIDES A HORSE, AND CARRIES A POINTED DART. HE TEACHES THE VIRTUES OF HERBS AND PRECIOUS STONES, LOGIC, ESTHETICS, CHIROMANCY, PYROMANCY, AND RHETORIC. HE CAN MAKE ONE INVISIBLE, INGENIOUS, AND ARTICULATE. HE ALSO CAN FIND LOST THINGS AND DISCOVER TREASURES (Dictionnaire Infernal) = NASA WILL ALLOCATE THESE FUNDS THROUGH COMPETITIVE SOLICITATIONS THAT SUPPORT A RANGE OF HIGHER- AND LOWER-PROGRAMMATIC RISK SYSTEMS AND SYSTEM COMPONENTS, SUCH AS HUMAN-RATING OF EXISTING LAUNCH VEHICLES AND DEVELOPMENT OF NEW SPACECRAFT THAT CAN RIDE ON MULTIPLE LAUNCH VEHICLES. NASA WILL ENSURE THAT ALL SYSTEMS MEET THE AGENCY'S STRINGENT HUMAN-RATING REQUIREMENTS = THE RESPECT SHOWN TO THE SEPTENARY NUMBER IS A THIRD PAGAN OBSERVANCE OF A SABBATIC CHARACTER, WHICH CALLS FOR NOTICE. HOWEVER MUCH CERTAIN NUMBERS, AS THREE, FOUR, TEN, AND OTHERS, MIGHT BE PRIZED, NONE APPEARS TO HAVE BEEN HONOURED WITH SO PERMANENT AND GENERAL AN ESTIMATION AS THE NUMERUS SEPTENARIUS… SEVEN AGES WERE THE GIFT OF THE GODS TO TITHONUS, AND ACCORDING TO SHAKSPERE (The Sabbath Viewed In The Light Of Reason) = WE MUST REORDER OUR NATION'S PRIORITIES TO INVEST IN OUR MOST VALUABLE RESOURCE: OUR PEOPLE. IT IS TIME WE WORK TOGETHER AGAIN TO ENSURE THAT EVERYONE HAS THE OPPORTUNITY TO ACHIEVE THE AMERICAN DREAM — A SECURE JOB, A SAFE HOME, AND A QUALITY EDUCATION. BUT WE CAN'T DO IT WITHOUT YOU. THERE ARE MANY WAYS TO GET INVOLVED — INCLUDING A RALLY IN WASHINGTON, D.C. ON OCTOBER 2, 2010. GET INVOLVED NOW.

QWERTY 2226 = FURCAS IS A KNIGHT AND COMMETH FOORTH IN THE SIMILITUDE OF A CRUELL MAN, WITH A LONG BEARD AND A HOARIE HEAD, HE SITTETH ON A PALE HORSSE, CARRIENG IN HIS HAND A SHARPE WEAPON, HE PERFECTLIE TEACHETH PRACTIKE PHILOSOPHIE, RHETORIKE, LOGIKE, ASTRONOMIE, CHIROMANCIE, PYROMANCIE, AND THEIR PARTS: THERE OBEIE HIM TWENTIE LEGIONS (Pseudomonarchia daemonum) = IN VIRILIO'S WRITING WHAT HANNAH ARENDT ONCE DESCRIBED AS "MODERN WORLD ALIENATION" RIDES THE WHIRLING TIP OF HISTORY AS THE SPIRIT OF PURE NEGATION THAT IS EVERYWHERE TODAY. NEGATIVE POLITICS, NEGATIVE SUBJECTIVITY, NEGATIVE CULTURE. IT IS IMPOSSIBLE TO ESCAPE THE TECHNOLOGICAL ACCIDENT THAT HAS BECOME US (City of Transformation).

QWERTY 2254 = AT THIS PERIOD NOVALIS LIVED ONLY FOR HIS GRIEF; IT HAD BECOME NATURAL TO HIM TO CONSIDER THE VISIBLE AND INVISIBLE WORLD AS BUT ONE, AND TO SEPARATE LIFE AND DEATH ONLY BY HIS DESIRE FOR THE LATTER. FOR HIM EXISTENCE ASSUMED A GLORIFIED ASPECT, AND HIS WHOLE LIFE FLOWED ALONG AS IN A CLEAR CONSCIOUS DREAM OF A HIGHER STATE OF BEING (German Estimates of Novalis from 1800 to 1850) = FERRIS PERSUADES CAMERON TO LET THEM USE HIS FATHER'S CONVERTIBLE 1961 FERRARI 250 GT CALIFORNIA, OF WHICH ONLY 55 WERE BUILT, AND, ACCORDING TO CAMERON, WAS IN PRETTY BAD CONDITION, UNTIL HIS FATHER TOOK THREE YEARS TO RESTORE IT TO ITS FORMER GLORY, WHICH FERRIS WANTS TO USE, TO TRAVEL INTO THE CITY (Ferris Bueller's Day Off) = IT'S AN EXAMPLE OF THE RIVER-AS-AN-OBSTACLE MOTIF IN FOLK SONGS. IN A TIME BEFORE LOTS OF BRIDGES, CROSSING A RIVER WAS A DAUNTING TASK. IT'S A NICE METAPHOR, SEPARATING THE PROTAGONIST FROM HIS DESIRE. INVARIABLY, THE RIVER WINS, SWALLOWING THE PERSON. THE HAZARDS OF LOVE IN THE 17TH CENTURY WERE NOT AN EASY OR PRETTY THING (Colin Meloy's Mellow Grooves) = OTHIL LASDI BABGE OD DORPHA GOHOL G CHIS GE AUAUAGO CORMP PD DSONF VI V-DI-V CASARMI OALI MAP M SOBAM AG CORMPO C-RP-L CASARMG CRO OD ZI CHIS OD VGEG DST CA PI MALI CHIS CA PI MA ON IONSHIN CHIS TA LO CLA TORGU NOR QUASAHI OD F CAOSAGA BAGLE ZI RE NAI AD DSI OD APILA DO O A IP Q-A-AL ZACAR OD ZAMRAN OBELISONG REST-EL AAF NOR-MO-LAP (4th Key) = WELL IT IS CERTAINLY ALSO MISLEADING. ALBERTUS MAGNUS WAS THE FIRST TO EXTRACT *PURE* ARSENIC. PEOPLE SUCH AS RHAZES HAD DISCUSSED IT EXPLICITLY BEFORE THAT. IN FACT ARSENIC WAS ONE OF THE FOUR CLASSIC ALCHEMICAL "SPIRITS", OTHERS BEING AMMONIUM CHLORIDE, SULPHUR, AND MERCURY. YOURS; XXXXX-XXXXX XXXXXXXXX.

QWERTY 2272 = BY 1996, CENTURIES OF ENVIRONMENTAL POLLUTION EXPOSURE HAD STREAKED AND BANDED THE STATUE. IN DECEMBER OF THAT YEAR IT WAS REMOVED FROM THE LOGGIA AND TRANSFERRED TO THE UFFIZI FOR CLEANING AND RESTORATION. IT WAS A SLOW, YEARS-LONG PROCESS, AND THE RESTORED STATUE WAS NOT RETURNED TO ITS HOME UNTIL JUNE 2000 (Persée tenant la tête de Méduse) = THE BOARD'S H.4.1 STATISTICAL RELEASE, "FACTORS AFFECTING RESERVE BALANCES OF DEPOSITORY INSTITUTIONS AND CONDITION STATEMENT OF FEDERAL RESERVE BANKS," HAS BEEN MODIFIED TO INCLUDE INFORMATION RELATED TO THE FEDERAL RESERVE BANK OF NEW YORK'S (FRBNY) PREFERRED INTERESTS IN AIA AURORA LLC AND ALICO HOLDINGS LLC.

QWERTY 2278 = EXPERIENCED EXECUTIVES KNOW THAT DIFFICULT TIMES ALSO CREATE OPPORTUNITY, BOTH TO EXPLOIT WEAKNESSES IN COMPETITORS AND TO USE THE URGENT NECESSITY OF CHANGE TO MIGRATE ENTERPRISES TO MORE COMPETITIVE POSITIONS. WITH THIS IN MIND, WE SUGGEST EXECUTIVES IN THE A&D INDUSTRY ACT QUICKLY AND DECISIVELY ON THREE ITEMS (The Financial Crisis in Aerospace and Defense) = FULL THUNDER MOON • 26-JULY-2010 @ 01:36:325831 UT • SUN 2LEO59'37.6420" / MOON 2AQU59'37.6420" :: LEO 03° A WOMAN OF MIDDLE YEARS IS BOBBING HER HAIR FOR THE FIRST TIME; A LOOK OF REBELLION MELTS TO SURPRISED ANTICIPATION § AQUARIUS 03° A DESERTER FROM THE NAVY STANDS SUDDENLY AWARE OF THE DAWNING TRUTH THAT FREEDOM IS NEVER THE RESULT OF COMPROMISE = THROUGHOUT THE LATE 40'S AND EARLY 50'S, MEN WERE BUSY AT AIR FORCE BASES ALL OVER THE COUNTRY, INCHING THEIR WAY UP A "DIZZYING PROGRESSION OF STEPS AND LEDGES, A ZIGGURAT… AND THE IDEA WAS TO PROVE AT EVERY FOOT OF THE WAY UP THAT PYRAMID THAT YOU WERE ONE OF THE ELECTED AND ANOINTED ONES WHO HAD THE RIGHT STUFF.

QWERTY 2281 = I HAVE ALWAYS HAD A GREAT REGARD AND CARE TO BEWARE OF THE FILTHY ABUSE OF SUCH AS WITTINGLY INVOKE OR CONSULT WITH SPIRITUAL CREATURES OF THE DAMNED SORT: ANGELS OF DARKNESS, FORGERS, PATRONS OF LIES AND UNTRUTHS. INSTEAD I HAVE FLOWN UNTO GOD THROUGH HEARTY PRAYER, FULL OFT AND IN SUNDRY MANNERS (The Enochian Magick of Dr. John Dee) = THERE IS NO ABSOLUTE RHYTHM. IN THE COURSE OF THE DRAMATIC DEVELOPMENTS OF A MUSICAL COMPOSITION, THE INITIAL THEMES CHANGE THEIR CHARACTER, CONSEQUENTLY RHYTHM CHANGES ALSO, AND, IN CONFORMITY WITH THAT CHARACTER, IT HAS TO BE ENERGETIC OR LANGUISHING, CRISP OR ELASTIC, STEADY OR CAPRICIOUS (Tempo rubato).

QWERTY 2289 = AND ALSO THAT TO ABRAHAM, ISAAC, AND JACOB; JOSHUA GIDEON, ESDRAS, DANIEL, TOBIAS, AND SUNDRY OTHERS, THY GOOD ANGELS WERE SENT, BY THY DISPOSITION TO INSTRUCT THEM, INFORM THEM, HELP THEM, YEA IN WORLDLY AND DOMESTIC AFFAIRS, YEA AND SOMETIMES TO SATISFY THEIR DESIRES, DOUBTS AND QUESTIONS OF THY SECRETS (John Dee's Introductory Prayer to His First Angelic Communication) = IN THE ORIGINAL MANUSCRIPTS THERE IS A SECTION, HEAVILY ERASED AND BARELY LEGIBLE, RECORDING THE SEANCE OF 23 MAY 1587 — THE MORNING AFTER THE WIFE-SWAPPING. THE SPIRITS ASK KELLEY: 'WAS THY BROTHER'S WIFE [JANE DEE] OBEDIENT AND HUMBLE UNTO THEE?' — AND KELLEY REPLIES: 'SHE WAS'. DEE RETURNS THE SAME ANSWER CONCERNING JOANNA KELLEY. (Dee Cipher Grid #4673, quoting {50} The Complete Enochian Dictionary) = KAOS-BABALON. OMNIA IN DUOS: DUO IN UNUM: UNUS IN NIHIL: HAEC NEC QUATUOR NEC OMNIA NEC DUO NEC UNUS NEC NIHIL SUNT. GLORIA PATRI ET MATRI ET FILIO ET FILIAE ET SPIRITUI SANCTO EXTERNO ET SPIRITUI SANCTO INTERNO UT ERAT EST ERIT IN SAECULA SAECULORUM SEX IN UNO PER NOMEN SEPTEM IN UNO ARARITA. IN NOMINE BABALON. AMEN (The Greater Ritual Of The Heptangle) = THE IDENTIFICATION OF THE HELMAND WITH THE EARLY RIG VEDIC SARASVATI IS NOT WITHOUT DIFFICULTIES. FOR EXAMPLE, THE HELMAND FLOWING INTO A SWAMP IN THE IRANIAN PLATEAU (THE EXTENDED WETLAND AND LAKE SYSTEM OF HAMUN-I-HELMAND) WOULD NOT MATCH THE RIGVEDIC DESCRIPTION OF SAMUDRA, WHICH IS GENERALLY TAKEN TO MEAN "OCEAN" (Sarasvati River).

Tags: benjamin rowe, browe, buer, cellini, eon, touring the earth tablet, zuresch, zuresk
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