Belial

directive



AQ 1521 = THE STORY LINE PUTS PLANTS FRONT AND CENTER. IT WASN'T THE ROACH THEY WERE LOOKING FOR (AQ-1105 WALL-E'S PLANT APOCALYPSE: AS SEEN FROM A BOTANIST'S POINT OF VIEW) = IT IS FIT TO EXHIBIT THE MESSAGE OF THAT ANGEL WHO BROUGHT THE NEWS OF THE NEW AEON TO EARTH = THE ENOCHIAN SYSTEM STOOD REVEALED AS A TRUE CONCOURSE OF ALL THE FORCES IN THE MICROCOSM = THE MIDDLE PILLAR IS METATRON, WHO HAS ACCOMPLISHED PEACE ABOVE, AND THE GLORIOUS STATE THERE = TWELVE SIGNIFIES THE LIMITS OF THE THREE-DIMENSIONAL WORLD, LIKE THE TWELVE EDGES OF A CUBE = YOU CAN FIND EVIDENCE ON THE GROUND TO SUPPORT JUST ABOUT ANY CONCLUSION YOU CHOOSE.

AQ 375 = PLANT AS PLOT-DRIVER = @create $thing called peace (AQ-358 THE INVISIBLE BORDER, AQ-382 LA FRONTERA INVISIBLE) = A STORY ABOUT KADDISH = AUDITORY PHONETICS = BACTERIAL INTELLIGENCE = COOPERATIVE BOARD GAME = CRYSTAL OSCILLATOR = GOING AROUND THE HORN = GOLD RECORD $1003.20 SET MARCH 18, 2008 = GREAT YELLOW GENTIAN (AQ-247 GENTIANA LUTEA) = HANDEL WARATAH WINDOW = II THE HIGH PRIESTESS = INTERNAL INITIATION = JANE AUSTEN REIMAGINED (AQ-249 GORAN VISNJIC) = KUANG GRADE MARK ELEVEN = MAKING GOOD THICKNESS ("Balance" typically refers to an equitable trade-off between securing territory in the corner versus making good thickness toward the sides and center. In choosing joseki, the stronger player will generally seek to create complications, while the weaker player tries to keep things simple; AQ-328 GO OPENING THEORY) = MAN AT THE CROSSROADS = MODIFY THAT AM ANTENNA = NE SORGA, SNOTOR GUMA! = NUMERATION SYSTEM (AQ-94 DIGIT) = PLUTO'S DARK-BLUE DAZE = REWIRING SPACEWALKS = RUSSIAN COMPUTERS = SARJ AUTOTRACK TEST = SENSES OF INTENTION (AQ-289 HOLBO'S BOUQUET) = SLAVONIC BOOK OF ENOCH = SOFTWARE COMPONENT = SPIKE IN "DURVEXITY" = STANDARD DEVIATION OF 3 = STAR WARS MAIN TITLE = SURROUNDING PLASMA = SWORD OF GRYFFINDOR = TERRESTRIAL MATTER = THE ABSENCE OF IDEOLOGY (AQ-240 EUGÈNE IONESCO) = THE FRUIT OF THE EARTH = THE KNIGHT OF THE SWAN = THE LIMITS OF REALISM (AQ-1435 THE LIMITS OF REALISM: CORRELATIONISM AND THE PRINCIPLE OF SUFFICIENT PHILOSOPHY) = THE OVERTONE SERIES (The overtone series provides, as it were, the architectural foundation of the musical scale, the basic "field" of which is the octave, 1:2, or the doubling of the vibrational frequency, which inversely correlates with a halving of the string. Returning again to the basic question of how one bridges the tonal flux, we know the answer to be Number, but now we can see more clearly that the problem itself is one of mediation or harmonia, through the medium of numerical proportion or #logos#. The solution, in fact, can be seen as performing a marriage of opposites, linking together the upper and the lower (1:2), in a truly cosmic fashion, which is to say in a manner partaking of both order and beauty; AQ-367 ARITHMETIC MEDIATION, AQ-503 THE PYTHAGOREAN SOURCEBOOK {25}; AQ-226, 286, 376, 393, 398, 408, 417, 423, 477, 527, 577, 619, 641, 672, 714, 717, 732, 747, 790, 850, 898, 1014, 1071, 1160, 1577, 1813, 2158, 2330, 2420, 3344, 3491, 3938, 4198, 11480) = THE SARUMPAET RULES (AQ-235 SCHILD'S LADDER) = THE TRUTH COMES OUT = THINK ABOUT THINKING (Alfred Korzybski Memorial Lecture 1991, Albert Ellis) = TIME CONSCIOUSNESS = TRIPLE-ALPHA PROCESS.

gave somebody my harry potter one & never got it back. yesterday, the 3rd person i said "do what thou wilt" to gave me another copy. this morning i was thinking about them & the sword of gryffindor—

AQ 1043 = ONLY A TRUE GRYFFINDOR COULD HAVE PULLED THAT OUT OF THE HAT (AQ-322 A TRUE GRYFFINDOR) = LET ME GUIDE MYSELF WITH THE BLUE, FORKED TORCH OF THIS FLOWER = QAMATS, PATAH, TSERE, SEGOL, SHEVA, HOLAM, HIRIQ, QUBUTS, SHURUQ (AQ-136 NIQQUD) = THE ARGUMENT OF THE VERB AROUND WHICH THE SENTENCE "REVOLVES" (AQ-322 SYNTACTIC PIVOT) = THE EXPLANATION BEFORE MAN AND THE JUSTIFICATION BEFORE HEAVEN (AQ-455 NATIONAL SELF-SUFFICIENCY).

so they get the four aces from my ceremonial magick tarot deck. which i sorted through today but, drat, can't find ace of wands.

AQ 4713 = THE ACES REPRESENT THE ROOTS OF THE FOUR ELEMENTS. THEY ARE QUITE ABOVE, AND DISTINCT FROM, THE OTHER SMALL CARDS IN THE SAME WAY AS KETHER IS SAID TO BE SYMBOLIZED ONLY BY THE TOPMOST POINT OF THE YOD OF TETRAGRAMMATON… THEY FORM A LINK BETWEEN THE SMALL CARDS AND THE PRINCESSES (AQ-220 THE FOUR ACES, AQ-294 THE BOOK OF THOTH) = SUCCESS AND FAILURE… ARE DETERMINED, IN LARGE PART, BY THE SOCIAL CONSTRUCTION OF OUR OPPORTUNITIES: THAT IS, WE ARE OFTEN THE PRODUCT OF FACTS THAT WE HAVE NO CONTROL OVER - SUCH AS BEING BORN AT THE RIGHT TIME - AND ARBITRARY PATTERNS FROZEN IN OUR INSTITUTIONS AND CULTURES (AQ-512 WELL-WRITTEN, THINLY ARGUED).



The Ace of Wands is a symbol of possibility in the area of creativity, excitement, adventure, courage and personal power. In readings, it shows that a seed of bold enthusiasm has been planted in your life although you may not yet recognize it. When the seed sprouts, it could take almost any form. It might be a creative idea, surge of optimism or need to act boldly. On the outside, it could be an offer, gift, opportunity, encounter or synchronistic event. [+]

early yesterday looking at totalitarianism, fascism & family dynamics (don't ask) [+][+][+][+][+][+][+]. basic idea is something rusty & me talked about before: how friends define possibility better than family. reviewing notes this morning decided So Many Good Voices In My Head provides basic intro.


Communities can be totalitarian. Families, churches, institutions, clubs, regions, and neighborhoods are drawn to master-narratives wherein all must find their plot and place in the story. Characters are too easily assigned. What does one do when one discovers the story one is living in is a bad fiction? Simply get the hell out and live without memory? What place will name us then? In whose narrative will we find ourselves? Whose discourse will constitute us?

Anytime we simply get out of our community, home, church, or skin, we risk being simply named again by the designer label on our suit, the title to the Lexus, the deed of the new Fox Run home or, worse, by self-help gurus or golden-throated preachers selling new souls down by the rivers of Babylon. For reasons of economics, conscience, adventure, or art, many of us will find it necessary to leave our communities of origin; few of us will succeed at simply getting the hell out, unless we choose to live without memory.

We are, after all, living in a story-shaped world… [+]

this morning found quote from Boris Cyrulnik: When you don’t know who you are, you love it when a dictatorship takes charge & some more ideas about family.


There’s no family and it’s changing, as it always has. When kids get home, there’s no one there. No father, no mother. Why should they shut themselves up in an empty house when there are pals out in the street? [+]

so the thing, if you're a true gryffindor i guess, is pulling Godric Gryffindor's sword out of the hat instead of a dictatorship. so it was great to find someone pulling out the sword.

AQ 521 = MORAL VALUES AND THE IDEA OF GOD 1913-1915 [+] = UNCONDITIONAL HOSPITALITY (AQ-565 PANIKA FINANŠU KAZINO UN TĀS SEKAS » AQ-440 A NEW POSSIBILITY OF LIFE » AQ-416 THIS IS NOT SUFFICIENT » AQ-305 STAGGERED ANALOGY).

AQ 3444 = …STAGGERED ANALOGY… THE FOUNDATION FOR AN ARGUMENT-WHICH LAWLOR BRILLIANTLY AND PASSIONATELY DEFINES IN HIS BOOK-IN WHICH HUMANS ARE ABLE TO WILL THIS WEAKNESS INTO A KIND OF UNCONDITIONAL HOSPITALITY (AQ-416 THIS IS NOT SUFFICIENT; AQ-374 UNFORESEEABLE FREEDOM {AQ-521 UNCONDITIONAL HOSPITALITY}, AQ-480 THE ANIMAL THAT THEREFORE I AM) = MONTESQUIEU, ON HIS TRAVELS THROUGH ITALY, TOURED THE UFFIZI IN FLORENCE. HE MADE COPIOUS NOTES, WHICH WERE PUBLISHED IN 1892. HE WAS IMPRESSED BY THE STATUE KNOWN AS THE MEDICI VENUS, ABOUT WHICH HE WROTE = DON'T KNOW WHAT THE ORB OF INSIGHT IS? NO PROBLEM. IT DOESN'T SLICE, IT DOESN'T DICE, AND IT'S DEFINITELY NOT DISHWASHER-FRIENDLY. WHAT IT DOES DO IS LET YOU KNOW HOW MANY TIMES SOMETHING APPEARS IN CONFLUX (AQ-408 CONFLUX ORB OF INSIGHT).

AQ 4670 = POUND'S IDEAS ABOUT WHAT MEDIATED THESE DIFFERENT MATERIALS ARE OFTEN AT ODDS WITH HOW THESE TYPES OF TEXTUAL PRACTICES ACTUALLY WORK IN THE CANTOS. POUND'S FASCIST IDEOLOGY INSISTS ON THE AUTHOR'S HAVING AN EXTRALITERARY POINT OF "SPECIAL KNOWLEDGE" THAT CREATES…ORDER (AQ-160 A POETICS {123}; AQ-316 CHARLES BERNSTEIN, AQ-647 POETRY OF PLAY, POETRY OF PURPOSE; AQ-447, 756, 789, 1080, 1113, 3239) = IN THE RESULTING GROWTH OF THE GDP (GROSS DOMESTIC PRODUCT), INCOME INEQUALITY IS A GIVEN, THE LABOR MARKETS BECOME FLEXIBLE… AND "KNOWLEDGE WORKERS,"… AMASS KUBLA KHAN-STYLE OPULENCE. AND EVERYBODY LIVES HAPPILY THEREAFTER, EXCEPT SOME THREE BILLION OR SO TYPES ON THE BOTTOM (AQ-256 MONEY, IT'S A GAS) = THE WAY…THE ENTRANCE TO A NEW PATH, THE SAME BUT GOING IN THE OPPOSITE DIRECTION, THE SAME BUT SEEN IN THE MIRROR, OR RATHER TRANSFORMING THE ONE THAT HAD JUST TAKEN PLACE INTO A MIRROR, IN WHICH WE WERE STILL SPINNING SLOWLY BEYOND WHAT HAD ONCE BEEN CALLED A MIRROR OR REFLECTION.



you transform my name to numbers itd be one-three-five


AQ 135 = PISCES 28° (AQ-1825 NIGHT HAS SEEMED LIGHT AS DAY AND IN THE ODD SHADOWS OF DIFFUSED WHITENESS THE FERTILE FIELDS APPEAR QUITE ALIVE, AQ-1960) = ARTICLE 211 (AQ-201 EZRA POUND, AQ-242 NASSAK DIAMOND).

AQ 1278 = IT MAKES A CERTAIN "WHITE CIRCLE," IN THE UPPER RIGHT HAND CORNER OF THE PAINTING (Panels in the Palazzo Ducale, Venice) = {2} POINTS AT WHICH SYSTEMS FLIP BETWEEN ONE REGION OF PHASE SPACE AND ANOTHER (AQ-768 THE GEOPHILOSOPHIES OF DELEUZE AND GUATTARI) = CREATIVITY OPERATES BY ALLOWING A CYNICAL DISTANCE TOWARDS PRODUCTION (AQ-258 CREATIVE WORK) = INFORMATION IS CREDIBLE AND PLAUSIBLE BUT NOT CORROBORATED SUFFICIENTLY (AQ-353 ESTIMATIVE LANGUAGE, AQ-55 NIE) = LIBER AL III:35. THE HALF OF THE WORD OF HERU-RA-HA, CALLED HOOR-PA-KRAAT AND RA-HOOR-KHUT = LINE DRAWN THROUGH THE LOWEST POINTS OF A VALLEY IN ITS DOWNWARD SLOPE (see: AQ-139 THALWEG) = THE ROSE HAS FORTY-NINE PETALS, THE INTERPLAY OF THE SEVEN WITH THE SEVEN (AQ-377 SIX OF DISKS ~ SUCCESS) = THEY REPRESENT THE MALE AND FEMALE, ETERNALLY YOUNG, SHAMELESS AND INNOCENT (AQ-225 XIX. THE SUN) = WE ARE ALL CURATORS, IN THE POST-MODERN WORLD, WHETHER WE WANT TO BE OR NOT (AQ-112 IDORU {AQ-113 OTAKU, AQ-1699, 10744}).

AQ 1868 = IT MAKES A CERTAIN "WHITE CIRCLE," IN THE UPPER RIGHT HAND CORNER OF THE PAINTING, OPEN ONTO THE WAY OF THE "TAO TÖ KING" (AQ-322 OPEN ONTO THE WAY) = A LOGIC DIAGRAM BEGINNING WITH A SYMPTOM AND LEADING THROUGH THE LOGIC AND ACTION NECESSARY TO SOLVE THE PROBLEM = THE IDM-IFICATION OF CLUB-BASED DANCE MUSIC MIGHT BE SEEN AS A GENTRIFICATION, IN ANOTHER AS A KIND OF REDUCTIO AD ABSURDAM (AQ-136 WONKY 3, AQ-408 INTELLIGENT DANCE MUSIC; AQ-135 WONKY 2) = THE NEXT TIME ONE OF YOU BLUE-NOSED MONKEYS PUTS ON A BAD SUIT, I'LL PERSONALLY KICK YOU FROM HERE TO PLUTO! (AQ-211 ROCHEWORLD; Chapter 2 - Picking).

ishikawa diagram / coxeter-dynkin diagram

AQ 1213 = NOT CORROBORATED SUFFICIENTLY TO WARRANT A HIGHER LEVEL OF CONFIDENCE = THE ISHIKAWA DIAGRAM… ARE DIAGRAMS, THAT SHOWS THE CAUSES OF A CERTAIN EVENT (AQ-266 FISHBONE DIAGRAM, AQ-269 ISHIKAWA DIAGRAM; Kaoru Ishikawa, Kaoru).

AQ 2071 = THE PRISMATIC GROUP [I~1xI~2] IS SHOWN AS A DOUBLING OF THE C~2, BUT CAN ALSO BE CREATED AS RECTANGULAR DOMAINS FROM DOUBLING THE H~2 TRIANGLES (AQ-400 COXETER-DYNKIN DIAGRAM) = EVERY NATION BEARS IN ITSELF THE STANDARD OF ITS PERFECTION, TOTALLY INDEPENDENT OF ALL COMPARISON WITH THAT OF OTHERS = IDEAS ARE SETS OF "SINGULARITIES," WHICH IS A MATHEMATICAL TERM FOR POINTS THAT DETERMINE A RANGE OF SOLUTIONS TO PROBLEMS = RED RUBIES FOR GRYFFINDOR, YELLOW TOPAZ FOR HUFFLEPUFF, BLUE SAPPHIRES FOR RAVENCLAW, AND GREEN EMERALDS FOR SLYTHERIN.



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