northanger (northanger) wrote,
northanger
northanger

  • Music:

so what else can i say?

AO 124 = FROM THE INDIGO, AN EVEN DEEPER BLUE (AO-70 LETTER TO THE LADY OTO) = ON THE WORKINGS OF THE HUMAN BODY (AO-85 DE HUMANI CORPORIS FABRICA; AO-28 VESALIUS) = A CHOLESTEROL LEVEL OF 200 AND BELOW (AO-25 200, AO-193 DESIRABLE LEVEL CORRESPONDING TO LOWER RISK FOR HEART DISEASE).

AO 144 = BECOMES BLUER THAN THE INDIGO PLANT ITSELF = STS-124 DISCOVERY OFFICIALLY CLOSEOUT = BUZZ LIGHTYEAR TO SOAR WITH DISCOVERY (AO-63 BUZZ LIGHTYEAR, AO-105 BUZZ LIGHTYEAR'S DREAM COME TRUE).

AO 156 = BEHOLD, THE ONLY THING GREATER THAN YOURSELF = NATURAL NUMBER FOLLOWING 99 AND PRECEDING 101.

GON 0 = 68. TO USE COMPUTERS = EIGHTY-SIX = EIGHTY-SIXTH = FRICTION WITH THE TWO WORLDS = PETTY FLY PROBLEM = QOPH = TEMPEST = WHISPER.

GON -10 100. CONTINUOUS = CONTINUUS = HYPERSTITION || GON 10 64 (Hexadecimal; AO-26 100) = NUMOGRAM.

AO 40 = CHADOR CATALYST (AO-111 ERRATIC FLUCTUATIONS OF POTENTIA) = CONTINUEL = GRAPEVINE (AO-114 HEARD IT THROUGH THE GRAPEVINE) = HUNDRED DAYS = SHARED CAPITAL (AO-111 ERRATIC FLUCTUATIONS OF POTENTIA) = SPELL CHADORS (AO-19 CHADOR).

kewl. Kristen Alvanson thanx me & tells me about her Spell Chadors [Re-nomad: the art of Kristen Alvanson : Comprised of three main categories (1) fabric studies / manifest draperies, (2) drawings / diagrams and (3) animation studies, the Cosmic Drapery Project currently includes five series, nomadic fabric chadors, spell chadors, flags, abjad-9 drawings and ninefold animations ~ AO-111 ERRATIC FLUCTUATIONS OF POTENTIA].

AO 72 = COSMIC DRAPERY PROJECT = CUTS OR SUBTRACTIVE SPELLS = THE BITCH MANIFESTO (h/t to Liza Sabater @ AO-64 CULTUREKITCHEN.COM) = 100. I AM SOMEBODY = EXPECT REQUEST-HEADER (AO-56 14.20 EXPECT).

AO 39 = ABSTRACT ELEMENT = MASKH PROJECT = CONTINUUS = THE BLACK FABRIC = VESALIUS (CRATER).

AO 62 = ALEPHTAVIAN STYLE = DARK GLASSES FOR THE WALK = ERRATIC FLUCTUATION = HYPERSTITION = PRETEND AN INTEREST = SO WHAT ELSE CAN I SAY = TALISMAN-FORGING = TRANSFORM BODY FABRIC = THE REQUEST MESSAGE (AO-10 TRACE, AQ-25 200, AO-65 10.2.1 200 OK).



The word maskh in Farsi connotes more than metamorphosis; it delineates the limits of one's identity or existence as marked by new vehicles of material and abstract articulation. Examples include spirit possession in which the demon demarcates the limits of identity, or living in an entirely different culture where the limits of one's identity are put to the test.

The Maskh Project has been abstractly created after the forgotten art of Talisman-forging in the Middle East particularly Iran. Middle Eastern talismans are forged in the form of diagrammatic bodies whose true figurative ideas are stripped down to their minimal abstract components -- numbers as body parts, letter curvatures as fiendish fauna, geometric elements as skeletal frames and alpha-numeric convolutions or miniature ciphers as elementary particles of the world surrounding the figures. Each talisman or spell-diagram casts a particular spell and by doing so effectuates a metamorphosis or possession. Middle Eastern talismans present the idea of metamorphosis through the realm of in-between, between the figurative and its numero-diagrammatic double.

AO 75 = SYZYGIAL AMPLEXUS = SPELL CHADOR MANIFESTO = 100 DEGREES CELSIUS (AO-141 BOILING TEMPERATURE OF PURE WATER AT SEA LEVEL) = 29. BEAUTY OF EXORDIUM = DEEP COMMUNICATION = HTTP STATUS CODE 100 (AO-150 CLIENT SHOULD CONTINUE WITH ITS REQUEST) = OPEN-ENDED PATCHWORK = SO HERE'S A LITTLE MAGIC ACT = THE CAPTURED PIGMENT.

AO 51 = ABSTRACT INNOVATOR = KRISTEN ALVANSON = THE WOMAN-WEARER = 100° CELSIUS.

AO 68 = I'M AN ABSTRACT INNOVATOR = 66. PRETEND AN INTEREST = 81. EIGHT OF SWORDS = BEAUTY OF EXORDIUM = CENTRAL NERVOUS SYSTEM = CHANGE BY SUBTRACTION = MIDDLE EASTERN DRAPERY = STRUGGLE/AGITATION = THE INDIGO PLANT = TO MAKE THE BODY FABRIC.

AO 71 = SHE'S AN ABSTRACT INNOVATOR = 23. ZERO OF MONEY = 94. ECLIPSE OF THE SUN = DIVERGE OR CONVERGE = ESTABLISHED ORDER OR CAUSE = LIMITS 51, 52 (BORGES) = MIDDLE EASTERN TALISMANS = METAMORPH BODY FABRIC.


943 Dazu Morris: "In Chinese cosmogony there is no creator of the universe as such, for it was thought that the world had created it itself. From an original state of chaos, an abstract innovator, Tao, had created two fundamental principles or forces, Yin and Yang, that were then aspects of thE world and all phenomena. But Tao, translated as the 'way', continued to be effective, guiding the functions of everything in the universe." (Morris 1989, 6) Das dao als "abstract innovator" oder Initiationsinitiator "erschafft" allerdings nich die beiden Kräfte yin und yang. AO-46 GUIDO RAPPE, AO-82 ARCHAISCHE LEIBERFAHRUNG.

AO 111 = ERRATIC FLUCTUATIONS OF POTENTIA = CONTAIN ACCELERATING COMPONENTS = A SOLID RESCUE VEHICLE FOR THE CREW = APPELLATION D'ORIGINE CONTRÔLÉE (AO-48 SPECTERS OF MARX) = ASYMMETRIC TRIANGULAR QUANTUM WELL (AO-17 ATQW) = CAPITALISM AND SCHIZOPHRENIA = COMMUNIST MODE OF PRODUCTION = HOW TO PLAY A TEXT ADVENTURE, PART 1 = INGRID VAN HOUTEN-GROENEVELD = INTERVIEW WITH TOM SHERIDAN (AO-19 PICK) = IT'S ACCELERATING TO THE DOWNSIDE (AO-107 THE GREAT FLY SPEAKS THROUGH US ALL) = IT'S ALMOST OVER (AND IT REALLY IS OVER) = JAPAN'S 15-TON KIBO LABORATORY MODULE = LUCAS NOTICED A MORE SUBTLE PROPERTY (AO-59 PERRIN SEQUENCE, AO-76 TALES OF A NEGLECTED NUMBER) = METAPHORICAL POTENTIAL OF TRAVEL (AO-78 TRAVELLING THE URBAN SPACE) = MINOR AND MAJOR: THE MINOR SCIENCES (AO-107 1227: TREATISE ON NOMADOLOGY) = MYSTICAL UNION WITH THE GOD (AO-80 LORD HERMES OF THE RING) = OBLIQUITY OF THE ECLIPTIC (62 PARALLELS OF LATITUDE) = QUOTE OF THE DAY: ANCIENT ROMAN ED. = STREAM OF THIS NUPTIAL FOUNTAIN = SUBSCRIPTED BY ANOTHER, VIZ IOTA = SUM OF GENESIS 1:1 AND JOHN 1:1 (AO-82 FROM FIRST PRINCIPLES) = SUM OF THREE CONSECUTIVE PRIMES (AO-12 159) = TEXT USER INTERFACE APPLICATIONS (AO-85 CURSES (PROGRAMMING LIBRARY)) = THE INVERSE COSINE OF ONE HALF = THE NUMBER 80: YESOD / FOUNDATION (AO-10 80) = THE PROLETARIAT IS EIGENTUMSLOS (AO-103 THE PHANTOMS OF IDEOLOGY) = THE RISE OF METACULTURAL EXPERTISE (AO-96 DIFFERENTIAL DEPLOYMENT) = THE RITUALS OF SUPPLEMENTATION (THE TOTAL SOCIAL FACT) = THEN WE HAVE AN X RAY OF THE FORCES (AO-62 THE FORCES ENGAGED) = THOSE WILD OUT-OF-BOUNDS PLANETS (AO-62 PARALLELS OF LATITUDE) = THOU ART A SCHOLAR; SPEAK TO IT HORATIO (48 SPECTERS OF MARX) = TIME-SHARING OPERATING SYSTEM (AO-82 PICK OPERATING SYSTEM) = TRUTH AND THE FITNESS OF THINGS = VISION FOR SPACE EXPLORATION = WELCOME TO NASA'S STS-124 LAUNCH BLOG = WHAT CAN BE DONE IN THE ABYSS BUT TO TALK (AO-34 LES MISÉRABLES) = WIE WILL ICH TRIUMPHIEREN = XPCOM: EVENT RECEIVER ERROR MESSAGE.


Spell Chadors (350 cm wide x 190 cm long which is the approximate size of a wearable chador) are created with scraps of black crepe fabric collected from shops which sew chadors for women and in the bazaars. As with Nomadic Fabric Chadors, strings in the fabric, holes and other inconsistencies build the intricacy of function. In Spell Chadors, the idea of chador as a ragged garment also refers to the dominant imagery of drapery in ghostly worlds where specters and wraiths are frequently seen with ragged and torn dresses because of their friction with the two worlds between which they have been trapped.

Spell Chadors have also been inspired by the old art of Talisman-forging in the Middle East [see Maskh Project]. Each scrap represents a spell with a different intention – from everyday wishes and mundane affairs to otherworldly incantations and socio-political charms. Hence the combination of these spells mobilizes the profound syncretism inherent not only to chadors but also socio-political ideologies and orders of the Middle East. Short-circuiting the natural or ordinary system of causation, these talismans are, therefore, the ideal vehicles for departing from the established order or cause. Moreover, Middle Eastern talismans contain accelerating components which usually appear as different words for speed in various Middle Eastern languages. Middle Eastern spells are sometimes prescribed to be used with elemental components (air, fire, water and earth) or to be placed in specific locations to effectuate their intention and be activated. In Spell Chadors, woman is a catalyst to speed the activation of spells, releasing syncretic or even conflictive inclinations within each chador as a socio-political manifestation of Middle Eastern drapery. When the spells are stitched together into an open-ended patchwork chador and worn by women, they become activated by speed and movements and diverge or converge depending on the distribution of folds. These speeds and movements not only belong to wearer / wielder in motion, but also the patchwork space (the stitched scraps) and the metamorphing spells.

In the past, talismans were mainly created on paper and sometimes engraved on copper or silver plating. However, there are rare examples of talismans used on clothing. Spell Chador talismans are infused on the black chador fabric which is thin and somewhat see-through. In the infusion process, the paint seeps all the way through the fabric in a similar way paint goes through a mesh screen creating an addition to the fabric. The captured pigment takes on a translucent quality which is mainly seen on one side of the fabric. With utter subtlety, the chador must be worn so the spells can become visible and hence be activated. In Spell Chadors, the spells are to be worn on the side of the chador which is closest to the woman's body to further activate the spell by feminine haptic input. The woman-wearer (the wielder) again becomes the catalyst by which the clandestine bonds, conflicts and conjunctions inherent to each chador begin to loom out. Although in touch with the body of the wearer, the spells are in fact operating in-between the wearer and the outside. In Spell Chadors, some spells require subtraction; they are made and activated in accordance with the logic of perforation and entities representing such logic – wounds, cuts, fissures, lacerations and ultimately scrapes themselves. These are the spells which should be described negatively rather than positively as in the case of spells which have already been filled with an intention or purpose. Torn, cut and lacerated, scrapes themselves are the outcomes of the logic of perforation; they are evidences attesting to the effectuation of such logic. In Spell Chadors, negative or subtractive spells are in the shape of gashes, gaps and slashes which are cut into the black fabric. Subtractive spells are the elements of chador which can be illustrated as 'pre-established' fissures or cuts to which the body of the wielder is applied. Moreover, rips and cuts signal holes to move through, new territories to traverse. In this sense, cuts or subtractive spells manifest spells as short-circuits which induce change by twisting and circumventing the natural system of causation. The idea of metamorphosis and radical change does not always adhere to the logic of change by addition but also and more frequently corresponds with subtraction; the holes and fissures by which one reaches the other side without traversing the suggested path. The radical experience is that which is undertaken through fissures.

AO-35 1. TEMPEST AO-39 2. FRENZY AO-61 3. 3 LINES (ATP 226- ) AO-45 4. SHARED CAPITAL AO-73 5. EXAMINE THE SIGNS AO-56 6. INDEFINITE AO-21 7. TRIBES AO-10 8. 8:1 AO-51 9. INDESTRUCTIBLE AO-107 10. RESPONSIBILITY (D. HIRST) AO-43 11. DEPARTURE AO-33 12. WORDS AO-74 13. TO FALL IN/COLLAPSE AO-63 14. PLACE OF DESCENT AO-51 15. ANNULATION AO-43 16. AESCHYLUS AO-48 17. TO BEND/CURVE AO-36 18. BLACK RIVER AO-53 19. OPPOSITES AO-65 20. REPETITION AO-42 21. DISTANCE AO-49 22. HALF DOWN AO-71 23. ZERO OF MONEY AO-47 24. HISTORY AO-64 25. WHAT COMES NEXT? AO-20 26. SAHARA AO-85 27. ECLIPSE OF THE MOON AO-51 28. THE SURPRISE AO-75 29. BEAUTY OF EXORDIUM AO-47 30. SECURITY AO-27 31. OUT AO-28 32. DRAWN AO-33 33. LOVERS AO-136 34. AFFINITIES IN FAVOR OF THE SECOND AO-49 35. MAGIC CARPETS AO-78 36. TO BE IN CIRCULATION AO-103 37. THE FLOWER THAT BRINGS SLEEP AO-37 38. FLOWS 199 AO-116 39. CARRION-KITE VULTURE (EGYPTIAN V.) AO-45 40. ABSTRACTION AO-29 41. OPAL AO-34 42. THEY AO-54 43. NARCISSISTIC AO-46 44. UNCOUNTED AO-45 45. SEPARATION AO-45 46. GROWTH, 46 AO-16 47. MAN AO-33 48. VERGIL AO-38 49. BIT BY BIT AO-33 50. CHANCE AO-34 51. DESIRE AO-82 52. LIMITS 51, 52 (BORGES) AO-53 53. RITE OF ASCENT AO-115 54. FERMENTING BRILLIANCE 24-1993 AO-33 55. EMULATOR AO-65 56. TORRENT OF RICHES AO-19 57. IN AO-46 58. EMBELLISHER AO-19 59. NAMES AO-74 60. DARK GLASSES FOR THE WALK AO-78 61. LOOSE-SWINGING AO-34 62. EXIST AO-42 63. ABOVE OIL AO-38 64. DROUGHT AO-73 65. EXTENSIONALITY AO-68 66. PRETEND AN INTEREST AO-35 67. SHENMUE AO-53 68. JOY/DELIGHT AO-48 69. RIPPLED SANDS AO-108 70. COMMAND AND I WILL OBEY YOU AO-45 71. WHISPER AO-66 72. LITTLE BY LITTLE AO-25 73. NARRATOR AO-190 74. TRANSITION FROM CONTINUITY TO DISCONTINUITY AO-118 75. EVIDENCE IN THE RISE OF POWER AO-59 76. OMNIPOTENCE AO-36 77. BECOME AWARE AO-19 78. FLAME AO-26 79. TO TRAIL AO-27 80. DAMAGE AO-68 81. EIGHT OF SWORDS AO-26 82. TRUTH AO-22 83. ALLURE AO-69 84. PSYCHICAL APPARATUS AO-94 85. DEFINITIVE UNMASKING AO-80 86. PHENOMENAL ENDING AO-47 87. SLEEPLESSNESS AO-70 88. STRUGGLE/AGITATION AO-49 89. SINGULARITY AO-66 90. TO REVEAL/DISCOVER AO-20 91. AMUCK AO-60 92. TO LEAD/TO GUIDE AO-32 93. INCREASE AO-71 94. ECLIPSE OF THE SUN AO-28 95. CLIMAX AO-81 96. THE KINGDOM OF DARKNESS AO-15 97. RISK AO-22 98. ALLIED AO-12 99. DUST


AO 26 = 100 (AO-2 C, AO-6 84, AO-8 64, AO-11 KUF, AO-16 HECT–, AO-17 47+53, AO-18 144, AO-22 CENTI–, AO-22 CENTUM, AO-22 HECTO–, AO-24 10ˆ2, AO-25 2ˆ2×5ˆ2, AO-28 QOPH, AO-29 ERSCHAFFT, AO-29 RFC 2616, AO-33 STS-100, AO-36 100TH, AO-40 HUNDRED DAYS, AO-42 ONE HUNDRED, AO-44 NASDAQ-100, AO-44 REQUEST BODY, AO-45 LEYLAND NUMBER, AO-46 2ˆ6+6ˆ2=100, AO-46 I AM SOMEBODY, AO-48 18-GONAL NUMBER, AO-49 HTTP STATUS CODE, AO-51 100° CELSIUS, AO-52 ONE HUNDREDTH, AO-55 ONE ZERO ZERO, AO-56 14.20 EXPECT, AO-56 NONCOTOTIENT, AO-59 19TH HEBREW LETTER, AO-60 100. SOMEBODY, AO-60 100TH POPE, AO-60 1100100, AO-61 HUNDREDWEIGHT, AO-63 100 CONTINUE, AO-64 100. CONTINUARE, AO-64 100. CONTINUER, AO-65 100. CONTINUUS, AO-66 100. CONTINUEL, AO-71 100. CONTINUOUS, AO-72 100. I AM SOMEBODY, AO-73 THE FIRST HUNDRED DAYS, AO-76 100=13+23+33+43, AO-77 100 (CONTINUE) STATUS, AO-83 100-CONTINUE TOKEN, AO-86 100-CONTINUE FIELD, AO-89 NINETEENTH HEBREW LETTER, AO-90 EXPECT: 100-CONTINUE, AO-96 10.1.1 100 CONTINUE, AO-98 SUM OF TWO PRIME NUMBERS (47+53), AO-99 100 (CONTINUE) STATUS MESSAGE, AO-107 1,2,4,5,10,20,25,50,100, AO-108 SEND 100 (CONTINUE) RESPONSE, AO-112 100-CONTINUE EXPECTATION, AO-113 EXPECT: 100-CONTINUE FIELD, AO-126 8.2.3 USE OF THE 100 (CONTINUE) STATUS, AO-141 BOILING TEMPERATURE OF PURE WATER AT SEA LEVEL, AO-141 SUM OF THE CUBES OF THE FIRST FOUR INTEGERS, AO-152 DIVISIBLE BY THE NUMBER OF PRIMES BELOW IT, AO-163 DIVISIBLE BY THE NUMBER OF PRIMES BELOW IT (25), AO-188 FORWARD THE CORRESPONDING 100 (CONTINUE) RESPONSE(S), AO-150 CLIENT SHOULD CONTINUE WITH ITS REQUEST, AO-197 INTERNET STANDARDS TRACK PROTOCOL FOR THE INTERNET COMMUNITY, AO-217 SUM OF THE CUBES OF THE FIRST FOUR INTEGERS (100=13+23+33+43)) = 79. TO TRAIL = 82. TRUTH = ALVANSON = BLACK CREPE = ILM E JAFAR = INCREASE = NOSE CAP = ORDNANCE = ORION = SHUTTLE = THE NET.

AO 99 = 100 (CONTINUE) STATUS MESSAGE (AO-101 10.1 INFORMATIONAL 1XX) = ACQUISITION OF QUALITY = CORRESPONDS WITH ADDITION = FIRST SYZYGY MODULE OF M = HYPERTEXT TRANSFER PROTOCOL (AO-29 RFC 2616) = INTERNATIONAL SPACE STATION MS = MISSION CONTROL COMMENTATOR = OUTFITTING THE VESTIBULE.

AO 98 = COMMON BERTHING MECHANISM = CORRESPONDS WITH SUBTRACTION = MIMICS ACUTE LABYRINTHITIS = ONE-THOUSANDTH PRIME NUMBER = SUM OF TWO PRIME NUMBERS (47+53) (AO-17 47+53 , AO-26 100) = SURFACE MATERIAL OF THE BEARING RACE.

AO 97 = COMMAND AND I WILL OBEY YOU = FEMININE HAPTIC INPUT = SYZYGY ENGINEERING.

AO 96 = 10.1.1 100 CONTINUE (The client SHOULD continue with its request. This AO-64 INTERIM RESPONSE is used to inform the client that the initial part of the request has been received and has not yet been rejected by the server. The client SHOULD continue by sending the remainder of the request or, if the request has already been completed, ignore this response. The server MUST send a final response after the request has been completed. See section 8.2.3 for detailed discussion of the use and handling of this status code; AO-26 100, AO-82 PROVISIONAL RESPONSE, AO-126 8.2.3 USE OF THE 100 (CONTINUE) STATUS) = 350 CM WIDE X 190 CM LONG = NEGATIVE OR SUBTRACTIVE SPELLS = ORDINARY SYSTEM OF CAUSATION = STS-114 DISCOVERY COMMANDER = THE DISTRIBUTION OF FOLDS = THE LOGIC OF PERFORATION.

AO 95 = BUZZ LIGHTYEAR IN ORBIT = EXPECT REQUEST-HEADER FIELD (AO-56 14.20 EXPECT) = PRE-ESTABLISHED FISSURES OR CUTS = STS-124 DISCOVERY COMMANDER = STS-124 DISCOVERY MER MANAGER = THE FLOWER THAT BRINGS SLEEP = THERE'S NOTHING LEFT TO SAY (AO-9 LA LA LA).

AO 94 = 85. DEFINITIVE UNMASKING = OPEN-ENDED PATCHWORK CHADOR = THE IDEA OF METAMORPHOSIS = THE NATURAL SYSTEM OF CAUSATION = TO INFINITY AND BEYOND!

AO 93 = DRAPERY IN GHOSTLY WORLDS = EXPECTATION-EXTENSION (AO-56 14.20 EXPECT) = HEADSET COMMUNICATIONS GEAR = INTERNATIONAL SPACE STATION = KIBO INCIDENT EVALUATION = UNDERTAKEN THROUGH FISSURES.

AO 92 = FLUCTUATIONS OF POTENTIA = JAPANESE FLIGHT CONTROL TEAM = JAPANESE PRESSURIZED MODULE = MAIN FUEL VALVE SKIN TEMP 2 = RE-INSTALL TRUNDLE BEARING NO. 5 = STS-124 DISCOVERY NOSE CAP = WING LEADING EDGE PANELS.

AO 91 = JAPANESE MODULE UNBERTHING = KENNEDY'S FIRING ROOM 1 = MIDDLE EASTERN INTENTION = ORBITAL MANEUVERING SYSTEM = SELECTIVE STABILIZATION = TALISMANS USED ON CLOTHING.


AO-36 90. 99-MEMORY AO-27 9. INDEX # 9 AO-72 89. MOTIF OF MEETING AO-20 88. EGGS AO-70 87. ASSEMBLE THE CULLINGS AO-36 86. SUBROSA SEARCH AO-69 85. EVAPORATING OCEANS AO-49 84. ARTICULATION AO-180 83. WAYS TO PILLAGE & PLAGIARIZE / WAYS TO WARD OFF THESE AO-123 82. VESALIUS ? A SPELL TO MAKE THE BODY FABRIC AO-120 81. ERRATIC FLUCTUATIONS OF POTENTIA AO-105 80. RIDING ASH-SHURUF AT NIGHT AO-47 8. 50 COFFINS AO-28 79. 3700 AO-31 78. THE BATTLE AO-33 77. CLASHES AT SEA AO-76 76. EXHAUSTING FOLLY AO-119 75. REVEAL HIDDEN NAMES (I.E. GOD, ROME, ETC.) AO-27 74. EVIL$ AO-65 73. CIRCUITOUS PATH AO-80 72. THE SUBTERRANEAN METHOD AO-83 71. BOTH LEGS IN ONE LEG AO-111 70. TO CAREEN THROUGH EMPTY SPACE AO-72 7. ALL POSSIBLE TRUTH (LULL) AO-67 69. BECOMING OBJECTLESS AO-56 68. TO USE COMPUTERS AO-11 67. DATA AO-51 66. CAROLINUM BOMB AO-74 65. INTO PRODUCTION AO-138 64. WAR ON THINGS THAT CAN'T BE TOUCHED BY HAND AO-66 63. SABATEURS OF PROGRESS AO-87 62. UNLOCKING THE VOID AO-78 61. ANGELS/CITY OF GOD AO-82 60. THE DEVIL'S KITCHEN AO-100 6. LINES OF SPONTANEOUS WILL AO-29 59. BANAT AL-HAWA AO-55 58. PHANTOM LIMBS AO-64 57. ART OF MAKING GOLD AO-96 56. SHATTERING QUARTZ + GEODES AO-53 55. HIDDEN VAULT AO-62 54. THE FAIRGROUND AO-39 53. SUPERBUG AO-124 52. TAKE THE WRONG FORT AT THE JUNCTION AO-125 51. TO PASS THROUGH DIFFERENT LEVELS AO-63 50. MOBILE FORTRESS AO-108 5. CARRYING THE OBJECT OF DISPUTE AO-38 49. SIKKA SPELL AO-73 48. PETTY FLY PROBLEM AO-96 47. BRING ABOUT AGRIPPA'S BLACK DOG AO-42 46. HOTSPOT AO-75 45. DECENTERED BEIJING AO-90 44. MINIMIZE LINEAGE AO-49 43. WIND-JAMMERS AO-59 42. DOUBLE PROBLEM AO-127 41. (B) INTERMEDIATE DISTRIBUTION FRAME AO-109 40. (A) MULTIPLE OCCUPANCY VIEW AO-104 4. CURTAIN OF DIAPHANOUS GAUZE AO-91 39. RHYTHMS OF EMBODIMENT AO-124 38. OPENING OR CLOSING OF LIMIT AO-67 37. OPENING DOORS AO-130 36. WEARING MASKS AND THE INVISIBLE HAND AO-102 35. COMMUNICATION WITH RAYS AO-89 34. LIQUIDATING IDOLS AO-73 33. THE UNNAMED THIRD AO-76 32. DIAMOND SYMMETRY AO-66 31. CAT'S SUCKING BREATH AO-99 30. INDUCING SOMNAMBULISM AO-71 3. DEVELOPING CELLS AO-90 29. SPLITTING PARTS OF SELF AO-35 28. RUSH-IN AO-64 27. KILL YOUR CLONE AO-85 26. APALLING ANCIENT RITE AO-35 25. EDDIES AO-36 24. ATOPOS AO-58 23. CHANNELING AO-121 22. HOW TO USE A DOVES-FOOT CRANESBILL AO-129 21 CHASING CENTERS OF CONTRADICTION AO-90 20. WRITING A MANIFESTO AO-46 2. DRIFTING AO-112 19. GET DRUNK AS YOU NEVER HAVE BEFORE AO-39 18. BLACK TWIST AO-67 17. TAMING ECTOPLASM AO-110 16. PAINKILLER FIRST THEN SLEEP AO-69 15. BLIND EXEGESIS AO-93 14. FURNITURE OF THE MIND AO-70 13. DOUBLE MOVEMENT AO-94 12. VOYAGE AROUND THE ROOM AO-66 11. ONE MORNING AO-70 10. TEN OF PENTACLES AO-52 1. MOSAIC PORTALS


AO 25 = 200 (AO-3 C8, AO-4 CC, AO-14 148, AO-14 RESH, AO-23 310, AO-24 2^3×5^2, AO-25 86+114, AO-33 200 OK, AO-33 DYNAMENE, AO-35 200TH, AO-38 200 MEV, AO-39 QUARK-GLUON, AO-41 ROVER GROUP, AO-42 PASSING GO, AO-42 ROVER 200, AO-42 TWO HUNDRED, AO-45 HTTP 200, AO-45 MONOPOLY, AO-52 TWO HUNDREDTH, AO-53 HTTP 200 OK, AO-55 QUARK-GLUON PLASMA, AO-55 THE ROVER GROUP, AO-55 TWO ZERO ZERO, AO-56 THE ROVER 200, AO-58 200 EURO NOTE, AO-58 200M×200M, AO-60 UNPRIMEABLE NUMBER, AO-61 PHASE TRANSITION, AO-65 10.2.1 200 OK, AO-65 200 SPEED FILM, AO-65 PLAYER PASSING GO, AO-67 CLASSICAL MONOPOLY, AO-69 11001000, AO-72 10.2.2 201 CREATED, AO-75 10.2 SUCCESSFUL 2XX, AO-76 SUCCESSFUL CONNECTION, AO-78 10.2.3 202 ACCEPTED, AO-88 10.2.5 204 NO CONTENT, AO-89 10.2.6 205 RESET CONTENT, AO-95 10.2.7 206 PARTIAL CONTENT, AO-98 200 ISO-STANDARD FILM SPEED, AO-103 FIRST TWENTY-FIVE INTEGERS, AO-116 QUARK-GLUON PLASMA PHASE TRANSITION, AO-124 A CHOLESTEROL LEVEL OF 200 AND BELOW, AO-141 SUM OF DOLLARS GIVEN TO A PLAYER PASSING GO, AO-147 1, 2, 4, 5, 8, 10, 20, 25, 40, 50, 100, 200, AO-154 200 IS THE SMALLEST BASE 10 UNPRIMEABLE NUMBER, AO-162 TEMPERATURE OF QUARK-GLUON PLASMA PHASE TRANSITION, AO-163 NATURAL NUMBER FOLLOWING 199 AND PRECEDING 201, AO-169 SUM OF TWO PRECEDING NUMBERS IN PADOVAN SEQUENCE, AO-170 10.2.4 203 NON-AUTHORITATIVE INFORMATION, AO-173 HTTP STATUS CODE INDICATING A SUCCESSFUL CONNECTION, AO-178 AN HTTP STATUS CODE INDICATING A SUCCESSFUL CONNECTION, AO-193 DESIRABLE LEVEL CORRESPONDING TO LOWER RISK FOR HEART DISEASE, AO-249 SUM OF DOLLARS GIVEN IN THE CLASSICAL MONOPOLY GAME TO A PLAYER PASSING GO, AO-263 THE SUM OF DOLLARS GIVEN IN THE CLASSICAL MONOPOLY GAME TO A PLAYER PASSING GO, AO-277 SUM OF EULER'S TOTIENT FUNCTION &phi(x) OVER THE FIRST TWENTY-FIVE INTEGERS IS 200, AO-291 THE SUM OF EULER'S TOTIENT FUNCTION &phi(x) OVER THE FIRST TWENTY-FIVE INTEGERS IS 200, AO-357 THE NUMBER APPEARS IN THE PADOVAN SEQUENCE, PRECEDED BY 86, 114, 151 (IT IS THE SUM OF THE FIRST TWO OF THESE)) = 2ˆ2×5ˆ2 (AO-26 100) = 73. NARRATOR = BAB AL-TALSIM = BLACK FABRIC = CANCER 16° = EMULATOR = KRISTEN (i had lots of fun, thanks for letting me play in your creative space) = MAGIC ACT.

AO 46 = [2ˆ6+6ˆ2=100] (AO-26 100, AO-45 LEYLAND NUMBER) = 19-MAY-2008 = 44. UNCOUNTED = 58. EMBELLISHER = CENTAUROMACHY = EIGENSCHAFT = FIND THE CURE = HARMONIC MEAN = HIGH PLACES = HUMAN ANATOMY = I AM SOMEBODY = JAPANESE LANTERNS = JUPITER TROJANS = MATHS IN NATURE = NAVAJO HOZHÓ = RIGHT-SIDE SARJ = SANTI WHITE = SEMANTIC FORCE = STITCHED SCRAPS = THE NUMBER 554 = TOTAL SOCIAL FACT = VOLK DER MITTE = YOD PALLIUM.



AO 83 = FASHION AND MODERNITY (Edited by Christopher Breward and Caroline Evans)) = HOW YOU TUNE THE FLAME = OFFSPRING OF VIPERS = SECRET OF THE HOLY GRAIL = SET ADRIFT ON MEMORY BLISS = THE BLACK QUEEN WARHAMMER 3D = TWO BRANCHES OF ASTROLOGY = WEIGHT OF THE REGULUS.

AO 161 = ENTROPY (FASHION) AND EMERGENCE (FASHIONING) (Jamie Brassett) = THE R STANDS FOR THE LIVING SALT THAT HAS AUTHORITY (AO-48 THE ARMONIAC SALT, AO-48 BECOME HAPTIC, AO-95 EXTRACTING THE SEED OF GOLD).

p199, Nomads draw lines on the ground with their faces extremely close to the floor. Spread out and stroking the surface, so close to the mark that its dimensions ooze over its boundaries. Each line is slightly more than a line; and each line becomes a "line of flight' : vectoral, showing a possible direction rather than a teleological joining of points. So the distinctions between ground, line and face blur, and the action become one which affects not only the ground but the art (or cartography) and the nomad too. ¶ Close up—using what Deleuze and Guattari call 'haptic vision' (Deleuze and Guattari 1988: 492-9)—any system has possibilities. The eye becomes an organ of touch and not one that delimits by distance purely. Lacking perspective allows for projects, projectiles, to be fired willy-nilly out of the system; becoming vectoral through aimlessness.

p203, We may need to take a parallax view of what constitutes fashion itself, so that its processes do not produce points which become ends, but points which are moved through on journeys elsewhere. Promote fashion as a vector not a project; maybe not fashion, but fashioning. Get in close, look at every fold and stitch, every microcosm of texture and matter; become; and become haptic.

p204, To refer back to Deleuze's "The Fold" (1993), we find him using the notion of the fold—of folding, unfolding, refolding—to describe the philosophy of Leibniz as well as some more general motifs in Baroque art, architecture and music ... and, of course, fashion. Like many of the very material images that Deleuze and Guattari use—Rhizome, Nomad, Schizo—the fold seems at once to be metaphorical and literal. Rather, it crosses—and keeps crossing—the boundaries between real and pretend.

AO 104 = BOUNDARIES BETWEEN REAL AND PRETEND = ENTANGLED IN THE COILS OF FATE = LOOKING FOR THE SEED OF GOLD.

AO 118 = THE BOUNDARIES BETWEEN REAL AND PRETEND = CONFECTED TO ITS CAPACITY FOR LIFE = HARMONIAC OR HARMONIUS SALT FOR MAN'S USE.

AO 147 = WHAT HAPPENS IF THE UNIVERSE IS OPENED?

AO 150 = CROSSING THE BOUNDARIES BETWEEN REAL AND PRETEND = ANIMATED MERCURY + NATIVE GOLD AT 80 TO 90 CELCIUS = THE PRESENCE OR ABSENCE OF OXYGEN IN THE GAS.

00128 = ALL CONSCIOUSNESS IS A MATTER OF THRESHOLD = ANIMATED MERCURY + NATIVE GOLD AT 84° CELCIUS = ANIMATED MERCURY + NATIVE GOLD AT 93° CELCIUS = HEMISPHERE IS TILTED TOWARDS THE SUN (AO-20 ANALEMMA, AO-29 TUTULEMMA, AO-44 JUNE SOLSTICE, AO-52 TROPIC OF CANCER, AO-53 DECEMBER SOLSTICE, AO-70 TROPIC OF CAPRICORN).

AO 62 = OPENED UNIVERSE…

& something else about aither, derveni papyrus, aeschylus & begetting monsters

AO 71 = SUN AT MAXIMUM EXTENT = DUCKING AND SHAVING = GENERATION OF LOVE = GENNEMATA ECHIDNON = RED POWDER OF THE SUN = SEALED WITH SEVEN SEALS = THE BOOK OF SEVEN SEALS = THE HEXAGONAL CRYSTAL = VIRTUE ~ THREE OF WANDS.

AO 80 = MYSTERIA MYSTICA MAXIMA = END OF THE WORLD CATACLYSM = GENERATION OF VIPERS = LAKE OF FIRE AND BRIMSTONE = MARRIAGE OF THE LAMB AND GOAT = MYSTERY OF EXISTENCE = NORTHERN HEMISPHERE = PURIFIED PRIMA MATERIA = SOUTHERN HEMISPHERE = STAR REGULUS OF ANTIMONY = THE BLACK QUEEN OF BAEG TOBAR = WAND OF THE MINOR ADEPT (AO-32 LOTUS WAND).

AO 82 = THE WAND OF THE MAJOR ADEPT (AO-58 PHOENIX WAND) = GETTING TO THE REGULUS = MYSTERY UPON MYSTERY = RISEN PHOENIX REBORN = THE AMALGAM IS WASHED & DRIED = THE PILLARS OF SOCIETY (AO-51 ALDOUS HUXLEY) = WAND OF THE CHIEF ADEPT.

AO 78 = CADUCEUS WAND OF THE KERUX = GENERATES THE RED POWDER = HARMONIUS SALT FOR MAN'S USE = THE DIVIDED PSYCHE = WAND OF THE SECOND ADEPT = WAND OF THE THIRD ADEPT = WORLD-WIDE VALIDITY.

AO 137 = WAND OF THE CHIEF ADEPT OF THE 2ND ORDER = SALUTATION ON ALL POINTS OF THE TRIANGLE (AO-62 ARCTURUS • SPICA • DENEBOLA).
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