Subject: Grail Topics, Part 2
Date: Sun, 12 Oct 1997 22:45:44
From: "William S. Buehler" <email@example.com>
THIS IS PART 2, CONTINUING COMMENTARY RE "AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL":
FIRST, REVIEW THE GRAIL GEOMETRY: The dual dipole system is six poles around a central "ulta" point (the ulta function was defined in the report Saphira W05) ...basically the Ulta is the "Divine Center" of any system, a main control function for the whole form, any form, which stabilizes and processes the form through the Flashing 3-Universe format. The Grail or Arieopax core system has two triangles base to base but these triangles also cyclically merge through each other so there are variations. The triangles use the base angles of 26.3 degrees ie the Bethlehem Angle however this base angle is also variable and is observed in art objects to sometimes increases to about 31 degrees. This variance may be due to the artist's ignorance however I believe that the base angle is probably supposed to be flexible. The apices of these triangles or "capstones" spin out the golden ratio spiral(s) to create the Grail cup. They also are the capstones for the Great Pyramid pentahedrons, one each. These pyramids become the "host" within the cups. SO, the basic form is the triangle using the Bethlehem Angle.
THE "STEM AND BLOSSOM": The above Grail triangle is found in the Hebrew letter TSADEY (#90) which was written as a vertical line with two curving "branches/leaves" or "wings". (The letter tsadey was given by Thoth to represent the Reshel/Arieopax "Glory" or generation pole.) The triangle in the tsadey is found by connecting the upper end of the vertical line and the tips of the two branches (basis of the Fleur de Lis). The tsadey is the "stem" component. The Tsadey pole in the Arieopax/Reshel is the central generating divine pole that produces all the golden ratio spirals that create the whole pentagonal form that uses 9 poles (the Reshel) and 16 poles (the Arieopax) to set itself.
An example in the earth grid system is the Holyrood Sanctuary in Edinburgh. This in turn creates a larger dual dipole between Edinburgh and Glastonbury, the basic Grail format we reinstalled beginning with the Sinclair symposium. This "stem" is sometimes used as a HAWK/FALCON. In the Arieopax form as applied to the Grail it is shown as a stalk of wheat having 16 seed-grains, the 16 Grail Kings. Henry Sinclair used the "imploded" Grial in his burgee with 8 points out and 8 points in or 16. This also reflects the temple-8 as above and below as well as a few other important and complementary setups.
The BLOSSOM: The Hebrew alphabet is arranged in three horizontal rows of 9 letters in each. In the first or "upper" row the letter teyth is #9 at the end of the row with tsadey, #90, "below" it in the next row. Teyth was drawn as a circle with a cross in it; it means MIRE. It is an exceedingly holy number ...the Seraphic ENNEAD, etc... and carries the idea that the Lily rises from the muck. Thoth's logo is a three pronged lily with the Bethlehem triangle above it: two such triangles. This triangle was also his birth mark on his forehead. When we view teyth and tsadey as a unit they show us the STEM (tsadey) and the BLOSSOM (teyth) above it appearing as a SUN WHEEL.
THIS IS THE "SIGN" BY WHICH YOU WILL CONQUER found in the Rex Mundi arrangement. The four angels above Rex are forming the tsadey geometry while the rose cross in a circle above them is the teyth "blossom." People believe that they are forming the Latin Cross and that works but it is not the deeper application. Note that the lower (red-gold) angel is genuflecting using the LEFT knee (honoring TEMPORAL authority, not divine authority which would require bending the right knee) and is pointing down with her left hand.
NOW MOVE ON TO CONSIDERING THE "MIRE" AND THE "ARCADIA." My suggestion is that "Arcada and Mire" is in effect describing the GRAIL CORE energetic and that the "Stem and Blossom" as described above is that basic format: the "Sign by which you will conquer." Arcadia harkens back to the Greek land of light and the land of Pan who led the creation dance and music. The same idea as that of Orphius but Pan is more the elemental, nature connection. I believe that the mantra "Aur-Cada" however predates the Greek application and that Hebrew gives a more accurate idea of it. I'm beginning to believe that "Arcadia" is any location or situation ...a state of mind and of being... that generates a grail energetic specific to whatever culture-frame must use it. Somehow the "45.3" latitude applies based on the Zeno map and on the 1757 Carte de l'Acadie pictured in your book (facing page 153).
CONSIDER THE BASIC PHRASE "AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL": Approach it in the Hebrew. First read it from right to left ...clumsy but it works after a fashion. We might reword it as: "The All in All is Self (as) Ar-Quada in and of the Mire, the Woman projected by myself." (Boudet's angel, the lower one, points to "TU" as the personal form of "you", also to the fallen Lucifer, the socalled Rex Mundi.)
RE "THE WOMAN": All this continum is female. Androgynous formats are shown as both female. In the higher aspect the Christ is female. This derives in the idea that the female pole is the one (left brain) that is objective, gives birth and is form building, works from the Silence or Void (recall that the so called "rib" of Adam is tsela or the SELAH God/Life Essence) she creates form that contains life (recall that "Eve" or "Chavah" means life; her "fruit" is that of the Tree of Life passed to Adam via the Serpent and the serpent, letter noun #50 means eternally regenerating life in cycles. The reason, one of them, that this continum experiment was invented was to learn to work in low frequencies ...the MIRE... and create a hybrid race of angels, humans and ELEMENTALS. The cosmic function here can be translated in our terms as "female." The female heart energetic has three poles whereas the male's has one. These are equal in function and importance however have different complementary functions. The 3-point female heart can be viewed as the Grail Bethlehem triangle and the male's one pole would appear as the center point along its base line. This point in Boudets' angels is the upper white angel's left hand (right brain) covering "her" heart. This is the male Christ point in the format. All the other hands pointing to the poles are right or left brain (female). So, basically we are all female, the "Brides of Christ", projected or cast into the low Oritronic frequencies of this fallen continum or the MIRE (letter teyth).
MORE ABOUT THE SUN WHEEL OF TEYTH, OR THE BLOSSOM ROOTED IN THE MIRE: There is a correspondent letter with teyth, it is tav, #400, drawn as a Greek or "+" cross. It means "signature, mark, designate." It represents the SELF individualized or the EGO. It is found on the bottom line with the sequence of letters: top: letter dallet, #4, drawn as a fish, means the "two leaved door". represents the lower soul that lives in the waters of time (the Mar). Middle: letter mayim, #40, drawn as a wave surface, means the "waters: urine (dead water), semen (living water)", represents the teleplane or Mar, the waters, time continum. When this fish soul (nephesh: fish) in time individualizes it is "crucified as the cross" of tav, #400. NEXT, view the teyth sun-wheel first as the sun symbol of the circle with center dot. The Sun can be backtracked via all the collective Solar Lords (suns) to the CENTRAL SUN and the DIVINE HEART which uses the same symbol but in fiery supernal light: the AUR or "AR" of Ar-cadah. When we transpose the individual or EGO of tav over the sun circle of teyth we have what is always drawn: the circle with cross enclosed. The divine center or heart of God is merged into and as the self (Ego). Boudet shows this as a 6-point rose in his equivalent "blossom" center; this harkens back to the same but more elaborate system found as the Chartres' Labyrinth, the effective Holy of Holies buried under all the folding chairs. It is relevant that the central core of the Arieopax is the 6-point dual dipole of the Grail generator. AR-QUADAH, Aur-Qada: The EGO as described above is directly linked into and as Ar-quadah. Let's look at the words: Ar, Ark, Quadah. "Aur" (AR) means "fire, lightning, light, be luminous, happiness, the East (sun), A PLANT AS BEING BRIGHT, herb." When spelled with ayin, aur means: "angel as a watcher, a city or court, to awaken (the watcher), to raise up, an ass or colt." With these very productive ideas we can then merge the sound "ark" as a complementary format. An ark or box is "arown/aron" (Moses' brother and Aronic priesthood). As "tebah" it also means "box, produce, income" which gives us the better idea of the VAULT as the teleplane format for creating form.
We also have the same sound "arc" as a curve or bow. Hebrew uses the same word for "bow: qesheth" for the rainbow and bow as a weapon. It also means "bending, strength, and IRIS." (Blossom again, combine with the Plant of Light above.) The "bow" in the alphabet is the letter shen, #300, drawn as a recurved bow or upside-down MacDonald sign. This is the same symbol Thoth uses as a logo calling it a trident (mastery of the time waters/seas) or the lily. He also designates the central ulta point as the Shen pole. Shen, the letter, means to "transmute form, duplicate." (Being able to split or duplicate is to create form through polarization.) The shen drawing also gives us the three points of the Bethlehem Angle triangle. It is also known as the womb in the Reshel context.
SUMMARIZING THE SOUND "AUR/ARK/ARC": We might clump it all in: "A vault of manifestation and transmutation that awakens the Watcher (Observer-Self) into fire and light as the Eastern Sun (the rising sun provides dynamic growth and evolution, change), in which self grows as a plant and flower of light being also the Sun; so we are also the colt ridden by the Messiah and in that respect also the Horse of God."
NOW, ABOUT THE "QUADAH": The Hebrew is complex. "Qad/Qadiy" means: "goat or kid (aries connection), to be fortunate, the brink or border of a river (connects with time interface), to cut a furrow." "Chad/chadie" means: "One, first, immediate, sharp (usually used as the divine nothingness), rejoice, fierce, the breast (heart chakra: corresponding to "chazeh": breast, to see, percieve, contemplate, have a vision")." "Chay" means: "life, raw and fresh (as a plant, water, year), to revive (resurrection)." When "kad" is spelled with a kaf, #20, it means: "to deepen, a pail or jar." This is a direct Grail equivalent. This could be linked to dayah": "a falcon, from daah: to dart, fly, a kite (raptor)." ...a reminder: the tsadey is also seen as a hawk as well as a plant stem. SUMMARIZING THE "QUADAH": Consolidating the better correlations might give us this: "The container grail of the breast/heart is immediate and primary, so sharp that the edge (Hebrew and Greek use "mouth") of the river/water of time (year) may be percieved and contemplated with the eye of a falcon." ...reminder: the "hawk" geometric can be used as a time gate; the geometric is the protosiniatic tsadey glyph.
WITH ALL THAT AS PREAMBLE, CONSIDER THE TSADEY AGAIN:
Remember that the tsadey is the stalk with two leaves or wings, the three upper points being the Bethlehem triangle. Also remember that the two opposed tsadey triangles, base to base, form the Grail core and that of the 16 point Arieopax. When we add TWO tsadeys to form the word "tsits" it translates as: "a glistening plate, a shining BLOSSOM or plant, a shining WING." From "tsuwts" which means: "to twinkle, show self." This "twinkle" is a regular flashing that would relate to the Flashing Universe, an important dynamic in the Grail process. We used the tsadey glyph, two of them, as a form of the ANTARION CONVERSION, an imploding time gate before we were given the more efficient Eye of Ra rhombus which does the same thing. The "implosion" uses the Flashing Universe dynamic.
When we add the letter noun, #50, the "serpent" translating as eternally regenerating life in cycles we have the word "nets": "A BRILLIANT FLOWER OR HAWK." This is a direct correlation with the bird-serpent-staff (or stalk) which Yeshua likened Himself to, Moses' Staff of the Brazen Serpent, etc., related to healing and to rebirth in the Christ. This has been much discussed in all the Grail related reports. The planetary "Uncoiling Serpent" or Heptaha Line goes through the Grail Staff, as it were: the Tav'hara Line or "Line of Destiny" at the Glastonbury Tor point. This serpent/dragon must be raised, northward, to translate via the Edinburgh matrix which processes the Academy of Christ input from Fortingall. Glastonbury matches this input from the identical energetic from Holy Island (Anglesey). When these points are resonant the Grail "capstone" points kick in and we "have a go!" The Draco-Dragon has been transformed and all planetary grids are Grail-charged via the Hemptaha.
The "wing" of the tsadey or Grail format is also found in James Hurtak's KEYS OF ENOCH as I have noted above, in Nova Scotia. He also identifies Nova Scotia as one of the 12 planetary "energy grid areas for space-time transcription, and areas of protocommunication established by the conversion of each tribe of Israel for the watch and deliverance of the present program from the Treasury of Light. (page 314; Key 215:70)
In the early history of the Earth and Venus, the Reptilian Ray expanded on its base Serpent Wave essential to created form. This input was grossly distorted by the Luciferian agencies. The Bird Race or Ray also interacted with the base serpent wave form but was of a higher aspect more adaptable to angelic overprinting. The resultant of the two conflicting wave streams was a merged serpent-bird format. Before any spiritual evolution can proceed however the serpent must be "lifted" as described by Yeshua (John 3:14-15). It is significant that the Uncoiling Serpent (Hemptaha) goes through the Yucatan (Head of Hurtak's dove) and on up through Nova Scotia before moving through Ruta and then up the Bethlehem Angle Michael-Mari Line. We have observed that the Luciferic forces (Crowley, the Montauk Project) were able to use this planetary system via the L-Gate on the Hemptaha controlled at Men an Tol. We know, then, that the Hemptaha has a fallen aspect that needs uplifting. I am noting this relative to Nova Scotia in light of the "666" longitude in the 1757 chart as well as Hurtak's dove connection. I think that the AUR-CADA dynamic comes to a pivotal focus in Nova Scotia relative to the Americas, the planetary right brain. However, the right FOREbrain ...Europe... has to process the serpent-bird dynamic first or concurrently. NOW IS THE TIME at the end of this continuum that the whole scenario is amplified and adjusted. The Grail energetic is the core of the project! Nova Scotia is in effect a battle ground and the Micmac are sitting in the Siege Perlious ...along with the rest of us!
THE 1757 CHART:
Your are right, it is strange that this very holy sign (the chart) would be permitted to surface AFTER the Dark Forces moved the Arcadians to the swamps of Louisiana. I see it as "holy" because of the one line of latitude and longitude shown on the chart, apparently locked on Green Oaks. I think that you drew in the fix however it is still just as significant. The latitude correlates with the Zeno rhombus within 3000 yards ...I think that the difference is due to the numerical requirements of gemetria and of having to multiply by the golden ratio. The longitude: 666W as measured by the Paris Meridian is also very relevant.
"666" is not evil except as 70 ignorant monks made it so in their mistranslation of Revelation. Now, "666" correlates with the Anti-Christ in the lower racial mind, with much emotional power generated by the Christian Church at the mundane levels. It was a very smart move by the Anti-Christ in jacking around the basic meaning. "6" in Hebrew is the letter VAU, drawn as a circle with a vertical line below it. Revelation identifies it as the KEY OF DAVID (Rev 3:7-13), the pillar in the temple of God. It is the GRAIL AND ITS PILLAR: the circle and line. The "6" points of the Mogen (Tsinah) Dowd (dowd being: "love, the cauldron (grail)") translate into the dual tetrahedron which initiates the Layooesh or primary Pillar/tube used in translating from the fallen frequencies up into the Metatronic. The 8 points of the dual-tetra shifts through the 9 (note the central 9 in the Zeno rhombus) and then 10 (dual-pentahedrons), lastly 12.
666 is a master number in scripture. The abortive meaning extant is an anomoly; I inquired via Spirit about that long ago and was given the answer that it was a combination of inverted spirals (resembling a 9 with an open loop). The inversion was intended to mean that the triple 9 (Christ number for the outer planes) was distorted but that the number 666 was a very holy number in its function. I've since noted that the "9" with open loop is actually #30, the letter lammed which was drawn as a golden ratio spiral, tail down. It is a life supporting system and used to create the Grail energetics when applied as the Arieopax. Three of them would relate to the 3 continua. Since it can be perverted ...note Judas' 30 pieces of silver... there is the need for radical transmutation. The only way is through Grace. Apparently Nova Scotia is key to the Absolution, Resolution and Evolution with Green Oaks (Grail Generator) as pivotal.
THESE ARE A WHOLE LOT OF PAGES to ask for your ideas about the 19/9/28/golden ratio 1.618 gemetria if you can figure something out. Also I'd like to know where you found the quotation about the mire, etc. Since the numerology is pretty much timeless it would be nice to get a handle on it. Anything you could pick up, or the Micmac medicine people or any of the addees, would be helpful.
William (Gawain Stewart)
Grail Topics, Part 2 (William S. Buehler)
Subject: Grail Topics, Part 2