April 28th, 2006

Asmodeus

Gilles Deleuze's Time Machine

yeah: NASA Cloud Satellites Blast Off

911
044 = DESIRE PRODUCES REALITY
955

O:N:E: 955 = SACRED CODEXS = COUNTEREXAMPLE.

AQ 228 = SACRED CODEXS = ISLAMOPHOBIA.

AQ 298 = COUNTEREXAMPLE = HILLARY CLINTON = REZA NEGARESTANI = THE CODEX OF YATU = THE IMPULSE-IMAGE.

O:N:E: 943 = CONSOLIDATION = THE IMPULSE-IMAGE = BERISHITH = WINDERSHINS.

AQ 223 = THE TIME-IMAGE = CHORON-ZONE = CHRONODEMON.

The three principle demonic groupings are Chronodemons (varieties of distance within the time-circuit), Amphidemons (ruptures in the time-circuit, openings to the Outside), and Xenodemons (denizens of the outer gulfs). —digital hyperstition

The monument is threfore a portal, allowing us to move into a different world, and for that world to move into ours. To view an artwork then is an active process of being deterritorialized. Deleuze (in Logic of Sensation, and with Guattari in A Thousand Plateaus) seeks to show how the abstract machine may be inscribed with a diagram illustrating or coding the route through the portal, the lines of deterritorialization, of matter cossing transversally out of substance. They say that the diagram makes a suggestion pulling us out of a determination towards something otherwise impossible. So it is more than just a edifice, a block of percepts and affects. It is crafted so as to deterritorialize, to attract matter into it and carry it away to another plane. One enters an artwork through the path suggested by the diagram. The monument calls upon us to add to the active memory present in the artwork, we step into the artwork, rather than percieving it analytically from afar. Could the momument then be some kind of time machine? —The artwork as monument, active memory, time of the artist

The domain of the impulse-image, says Deleuze (back in _Cinema 1_), "is naturalism. It is not opposed to realism, but on the contrary accentuates its features by extending them in an idiosyncratic surrealism... The originary world has no existence independent of the geographical and historical milieu which serves as its medium... This is why IMPULSES are *extracted* from the real modes of behaviour current in a determinate milieu ... And the FRAGMENTS are *torn from* objects which have effectively been formed in the milieu" (124). Before going on to describe naturalism in the cinema, Deleuze concludes: "the naturalist image, the impulse-image, has in fact two signs: symptoms, and idols or fetishes. SYMPTOMS are the presence of impulses in the derived world, and IDOLS and ETISHES, the representation of the fragments... In short, naturalism refers simultaneously to four co-ordinates: originary world / derived milieu; impulses / modes of behaviour" (125). —The Impulse-Image

[+] Gilles Deleuze's Time Machine
[+] 4.3. Montage and/or image
[+] Seeing Absence
[+] Deleuze, Rodowick, and the Philosophy of Film
[+]The Puppetmaster
[+] The Green Garbage Bins of Gilles Deleuze

 • movement-image :: the acentred set [ensemble] of variable elements which act and react on each other
 • perception-image :: set [ensemble] of elements which act on a centre
 • affection-image :: that which occupies the gap between an action and a reaction, that which absorbs an external action and reacts on the inside
 • action-image :: reaction of the centre to the set [ensemble]

------------------------------------------------------------[TIME WARP]
3::0 Chaotic Xenodemon of Cosmic Indifference
6::0 Chaotic Xenodemon of Ultimate Outsideness (and unnamable things)
6::3 Syzygetic Xenodemon of Time-Lapse
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
	3::1 Amphidemon of Tridentity (Sphinx-time)
	3::2 Amphidemon of Escape-velocity
	6::1 Amphidemon of Subtle Involvements (and intricate puzzles)
	6::2 Amphidemon of Artificial Turbulence (complex-dynamics simulations)
	6::4 Amphidemon of Combustion
	6::5 Amphidemon of Unscreened Matrix
------------------------------------------------------------[TIME WARP]
[---------------------TIME CIRCUIT - THE ROTATING SECTOR---------------------]
1::0 Amphidemon of Openings
8::0 Amphidemon of Submergance
	8::1 Syzygetic Chronodemon of the Deep Ones
	8::2 Cyclic Chronodemon of Subterranean Commerce
8::3 Amphidemon of Insidious Fog (Nyarlathotep)
	8::4 Cyclic Chronodemon of Autochthony
	8::5 Cyclic Chronodemon of Arid Seabeds
8::6 Amphidemon of Xenogenesis Decadology
	8::7 Cyclic Chronodemon of Hybridity
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
2::0 Amphidemon of Abstract Addiction
	2::1 Cyclic Chronodemon of Splitting-Waters
7::0 Amphidemon of Larval Regression
	7::1 Cyclic Chronodemon of Relapse
7::3 Amphidemon of Interference (and fakery)
	7::2 Syzygetic Chronodemon of Swamp-Labyrinths (and blind-doubles)
	7::4 Cyclic Chronodemon of Suspended Decay
	7::5 Cyclic Chronodemon of Calendric Time
7::6 Amphidemon of Teeming Pestilence
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
4::0 Amphidemon of Burning-Hail
	4::1 Cyclic Chronodemon of deluge and implosion
4::3 Amphidemon of anti-evolution (eddies of the Delta)
	4::2 Cyclic Chronodemon of Switch-Crazes
5::0 Amphidemon of Talismania
	5::1 Cyclic Chronodemon of Pathogenesis
	5::2 Cyclic Chronodemon of Precarious States
5::3 Amphidemon of Vortical Delirium Decadology
	5::4 Syzygetic Chronodemon of Cataclysmic Convergence
[---------------------TIME CIRCUIT - THE ROTATING SECTOR---------------------]
------------------------------------------------------------[THE PLEX]
	9::1 Amphidemon of Punctuality
	9::2 Amphidemon of Endless Uncasing (onion-skin horror)
	9::4 Amphidemon of Convulsions
	9::5 Amphidemon of Death-Strokes
	9::7 Amphidemon of Metaloid Unlife
	9::8 Amphidemon of Earth-Screams
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
9::6 Chaotic Xenodemon of Coiling Outsideness
9::3 Chaotic Xenodemon of Absolute Coincidence
9::0 Syzygetic Xenodemon of Atonality
------------------------------------------------------------[THE PLEX]