February 23rd, 2005

Asmodeus

solar stuff [current sunspot #736]

@spaceweather.com

SOLAR FILAMENT: Today (20-Feb) on the sun there's an enormous dark filament stretching 300,000+ miles from end to end--greater than the distance between Earth and the Moon. Experienced solar observers say it's one of the longest they've ever seen. Filaments are magnetic tubes suspended above the surface of the sun and filled with dense gas. Because the gas is cooler than the sun below it, filaments appear dark. Sometimes filaments erupt, producing a "Hyder flare." More often they don't. This one will probably persist for many days to come.

SOLAR EXPLOSION: Yesterday (20-Feb) something exploded on the sun. We couldn't see the blast from Earth because the blast-site was hidden behind the sun's western limb. But the massive cloud it hurled into space was spotted by photographer Gary Palmer: "Wow!" says Palmer. "This ultra-fast moving cloud re-wrote the definition of 'speed.'" It was pretty, too. Solar farside explosions like this one have no effect on Earth, but they can interact with other planets. Yesterday's blast was directed more or less toward Mars.


SIDC A filament is a cloud of plasma suspended above the solar surface. Magnetic arcades act as a hammock in which the plasma rests. The filament appears as a dark ribbon in pictures like H-alpha (visible light) since it absorbs radiation coming from the plasma below and emits (scatters) it in all directions, so that there is a net decrease in the amount of radiation coming towards us. If the magnetic field structure around the cooler plasma breaks open, the plasma can be thrown into space: this is a filament eruption and may lead to a CME. The series of pictures above tells us where the filament is (SOHO/EIT304, orange) and where the footpoints of the magnetic arcades creating the plasma tube, are located (SOHO/MDI, black/white/grey). The filament is situated between a positive (white) and a negative (black) magnetic field area which are connected by the magnetic arcades.

Joint USAF/NOAA Report of Solar and Geophysical Activity SDF Number 051 Issued at 2200Z on 20 Feb 2005 - IA. Analysis of Solar Active Regions and Activity from 19/2100Z to 20/2100Z: Solar activity decreased to very low levels. A long duration B-class flare was observed at 20/1628Z from just beyond the solar west limb. This event is believed to be from Region 732 (N08 L=188) which rotated out of view on 18 February. Region 735 (S09W58) has changed little since yesterday and remains a magnetic beta-gamma group. Region 736 (N13W50) is a weak beta magnetic region that was numbered today.

Asmodeus

Solar Tadpoles Wave at Astrophysicists

PRESS RELEASE: Solar Tadpoles Wave at Astrophysicists
Date Released: Wednesday, February 23, 2005
Source: University of Warwick via spaceref.ca


Researchers at the University of Warwick's Department of Physics have gained insight into the mysterious giant dark "tadpoles" that appear to swim towards the surface of the Sun during solar flares - enormous energy releases happening in the atmosphere of the Sun.

The tadpoles - colossal physical structures with dark heads and attendant wiggly tails that seem to swim sunwards against tides of hot matter being thrown away from the Sun during flares - have puzzled astrophysicists for several years, as they are so unlike any other phenomena observed on the Sun.

University of Warwick researchers Dr Valery Nakariakov and Dr Erwin Verwichte believe they have managed to understand the physics of this process. They analysed observations obtained with NASA's "Transition Region And Coronal Explorer" (TRACE) space mission and put forward the idea that the wiggles of the tadpoles' tails are huge waves - similar to the flying of flags in the wind - though, these solar wiggles are several times larger than the Earth. The scientists think that the waves are produced by a peculiar physical mechanism known as "negative energy waves", when waves suck energy from the medium they propagate through.

The understanding of the wiggles allowed the researchers to conclude that the tadpoles themselves are not material features, but optical illusions, as the solar matter is not falling down but is being continuously thrown upwards. The apparently descending tadpole head marks the falling start point of the matter's upward acceleration

This work has just been published this month as a Letter in Astronomy and Astrophysics.

An animation of the tadpoles can be seen here:

warwick tadpole thingys

Asmodeus

SNOW WOLF MOON = CONSCIOUSNESS

GON1 68 = SNOW WOLF MOON ~ Wednesday, 24-February-2004 @ 04:53:428575 UT

GON1 68 = THE ALL (STRETCHES) ETERNAL-LIKE {GA Call} = HIDEAKI SENA (author of Parasite Eve) = THE GOD OF STRETCH-FORTH-AND-CONQUER {Enochian Key: 16} = IMMACULATE CONCEPTION = ALDEBARAN (The Winter Star, "Follower" {Michæl} Watcher of the East ~ one of the four "Guardians of Heaven") =EFAFAFE {Enochian Key: 9 - "the viols"} = DECIMAL LABYRINTH = DECIMAL REDUCTION = STANDARD DEVIATION OF 3 = BY MY SACRED HEART AND TONGUE {Liber AL I:32} = ALL I DESIRE OF YE ALL {Liber AL I:32} = THE THREEFOLD BOOK OF LAW (Liber AL I:35} = ALSO THE PREIST VEILED HIMSELF {Liber 231:9}

ALDEBARAN (NNW :: 09Ge51 :: CROWN CHAKRA {Sahasrara}) 338º FROM YILDUN @ PATH 16: TRIUMPHAL OR ETERNAL ONE–The SIXTEENTH (27) Path {1st Reciprocal Path} from Hod to Netzach = ATU V THE HIEROPHANT = TAURUS = VAU :: EON PHASE: 36 (Phase Arc 330º ~ Semi-Sextile) : Fruition, Creative Imagination, "Last Judgement", Closing.

Perhaps the most intriguing crop circle yet made was in England near Barbury Castle during 1991. The Barbury Castle crop circle also encoded Euclidean theorems discovered by Gerald Hawkins, author of Stonehenge Decoded. Mysteriously, the crop circle's design was a copy of a diagram from the 1687 text by a Benedictine Monk, Practica. —Barbury Castle Crop Circle

Barbury Castle, UK, July 17, 1991 - This agro-glyph appeared in 1991 and incredibly, many of the angles that the circles form are some of the most important angles that are encoded at Cydonia! Also, the tetrahedron and circle clearly seen in this agro-glyph is the basic geometry of hyperdimensional physics. —Barbury Castle Crop Circle

Euclidean Theorem 5 - (New): As the triangle changes shape the circles expand and contract to touch the sides, and the diagram generates the four crop circle theorems. —Barbury Castle Crop Circle | Euclidean Theorems | Musical Scales

Dante scatters the word "star" 55 times in his Commedia, and uses the Platonic Lambda's number 55 as a vehicle for the soul's ascent to the stars. In examining Dante's conscious placements of key passages in lines 55 of his Commedia, we discover secret doors that open the path to our cosmic soul. These studies will help us to participate more fully in Dante's and our spiritual pilgrimage to paradise. —Dante's 55 & Platonic Lambda, by Peter Y. Chou

Hyperstition : GoN 51 = BABALON = LAMBDA = NEWS FLASH: RAD GODDESS SOCKS ROX! = MECHANOMICS {PLI: Nomadic Trajectories}; BOBOBJA {Heavy Atmosphere; Amphidemon of Teeming Pestilence}

Sequencing of the human and microbial genomes has led to a paradigm shift whereby questions are asked of entire classes of proteins called gene families. Gene families related by common binding site features are called pharmacofamilies (Sem et al., J. Cellular Biochem., 2001). Questions asked across these pharmacofamilies pertaining to how protein-ligand interactions affect specificity as well as enzymatic function fall under the umbrella of the newly defined field of enzyme mechanomics (Sem & Pellecchia, Curr. Opinion Drug Disc. Dev., 2001). Our research pertains to the enabling of methods within enzyme mechanomics, with applications to mechanistic enzymology, drug design and toxicology. —introduction, Daniel Sem

Triad developed a suite of NMR (nuclear magnetic resonance) technologies that allow for the characterization of protein–ligand interactions with unprecedented speed (days as opposed to months). These tools, combined with bioinformatics strategies, allow the systematic gathering of information that describes protein–ligand interactions across large gene families of proteins such as kinases and dehydrogenases. The term “enzyme mechanomics” describes this newly enabled gene-family-wide characterization of structure–function correlations. “Triad makes use of a technology called NMR SOLVE—structurally oriented library valency engineering—to guide the design of combinatorial libraries tailored to entire gene families of proteins, using the enzyme mechanomic data,” says Daniel Sem, Triad’s vice president of biophysics. He and colleague Maurizio Pellecchia point out that NMR is intrinsically a noninvasive technique and thus is ideally suited to observing the dynamics of a molecular system, as well as acting as an analytical tool. —Screening with NMR , David Bradley

Simultaneously, Ccru was exploring mechanomics, gematria and the schizonumerics of digital reduction through the work of the infamous Professor Barker. . .in order to develop their previous work regarding flat numeric cultures which did not rely on a system of belief in some transcendent entity but rather a certainty in the immanent traits of number itself. There will be much more regarding this appearing on the Ccru website soon. —Interview with kode9 , Unsafe

The numogram describes relations that emerge by combining the operations of digital reduction with those of "triangular numbering". In triangular numbering, you add up the sum of all the numbers in the numner-line up to and including the number you are dealing with; for example, 3 becomes 6: 3 = 1+2+3= 6. 9=1+2+3+4+5+6+7+8+9= 45 (which, interestingly, digitally reduces to [4+5 =] 9). Wolfe styles herself an "Aftermathematician" or "Mechanomist." "I’m a dabbler," she said . "I like to see how numbers behave; I’m not interested in reducing them to instantiations of some pre-existing logical system." By contrast, Wolfe insists, insitutionalized mathematics can be defined by its "hostility to numbers." Dr Wolfe takes seriously the so-called "numerological" traditions orthodox mathematics has defined itself against, noting the correspondences between the radical proto-"aftermathematical" theories she is interested in – Cantor’s transfinite numbers, Godel’s diagonal numbering – and older, "vernacular numeric systems". "If you look at the work ethnomathematicians like [Ohio State University’s] Ron Eglash are doing, you see examples of exactly the kinds of strange looped coincidences and odd doublings Linda is interested in. In one piece, Eglash describes the parallels between Senagelese sand divination systems and the Cantor set. No-one is seriously suggesting that there is a line of influence or evolution here; there are parallel routes to the same discovery. Numbers and what they do are no more something we invent than they’re already sitting in some Platonic heaven." Hence mechanomics. "Mech because numeric dabbling is not representational, but practical. Following what numbers do is an act of production, but only because all production is really a matter of discovery not ex nihilo creation. Making things up is always a matter of subtracting from zero." —Apocalypse - Been in Effect?, Maria De Rosario

Ccru is committed to an ongoing research program into the numeracy of the 'lost lemurian polyculture' apparently terminated by the KT missile of BCE 65 000 000. During the last century, various aspects of this primordially ancient 'digital hyperstition,' 'mechanomics,' 'schizonumerics,' or 'numbo-jumbo' have been painstakingly re-assembled through certain cryptic investigations, pre-eminently those associated with the names Echidna Stillwell, Chaim Horovitz, and Daniel Barker. From the Mu-Archive in Tibet Horovitz unearths an 'ultimate decimal qabbala' oriented to the cultic exploration of the numerals zero-to-nine as cosmic zones. In contradistinction to the late-Babylonian (or Judeo-Christian) qabbala, the 'method of Mu' involves a rigorous collapse of transcendent symbolism into intrinsic or immanent features, excavating the latent consistency between the numerical figures, their arithmetic functions, and their cultural associations. Horovitz describes these procedures as a diagonal path between esoteric numerology and exoteric mathematics, and also defines them negatively as a 'non-numerology' or 'ulterior-arithmetic.' —The Decimal Numerals

www.mechanomics.com - A Comprehensive Mechanical Engineering Consulting Company. (Under Construction: Please check back in few days).

The (Barkerian) Tic Xenotation provides a numerical semiotic adapted to the Naturals with special affinity to Euclid's Fundamental Theorem of Arithmetic. The TX constructs numbers in terms of their basic arithmetical features as primes or composites in a notation without modulus (base), place-value or numerals. The exact circumstances among which D.C.Barker formulated the TX remain deeply obscure (for a number of reasons best explored elsewhere). For our immediate purposes it suffices to remark that the broad research context within which TX emerged was a highly abstract SETI-oriented investigation into minimally-coded intelligent signal, without presupposition as to origin (e.g. 'xenobiological organisms') or theme (e.g. 'cosmo-chemistry'). —Tic Talk, Nick Land

AQ 88 = CROP = SGR 1806-20 = ROOD = RITE = ADORE = ARABIC
AQ 192 = CROP CIRCLE = 223 WOLF MOON = FORMATION = IBLIS-DURGA = KIA ON EARTH = TRUE WILL

Asmodeus

Grail Topics, Part 2 (William S. Buehler)

Subject: Grail Topics, Part 2
Date: Sun, 12 Oct 1997 22:45:44
From: "William S. Buehler" <roslinne@amigo.net>


www.soulinvitation.com/buehler

THIS IS PART 2, CONTINUING COMMENTARY RE "AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL":

FIRST, REVIEW THE GRAIL GEOMETRY: The dual dipole system is six poles around a central "ulta" point (the ulta function was defined in the report Saphira W05) ...basically the Ulta is the "Divine Center" of any system, a main control function for the whole form, any form, which stabilizes and processes the form through the Flashing 3-Universe format. The Grail or Arieopax core system has two triangles base to base but these triangles also cyclically merge through each other so there are variations. The triangles use the base angles of 26.3 degrees ie the Bethlehem Angle however this base angle is also variable and is observed in art objects to sometimes increases to about 31 degrees. This variance may be due to the artist's ignorance however I believe that the base angle is probably supposed to be flexible. The apices of these triangles or "capstones" spin out the golden ratio spiral(s) to create the Grail cup. They also are the capstones for the Great Pyramid pentahedrons, one each. These pyramids become the "host" within the cups. SO, the basic form is the triangle using the Bethlehem Angle.

THE "STEM AND BLOSSOM": The above Grail triangle is found in the Hebrew letter TSADEY (#90) which was written as a vertical line with two curving "branches/leaves" or "wings". (The letter tsadey was given by Thoth to represent the Reshel/Arieopax "Glory" or generation pole.) The triangle in the tsadey is found by connecting the upper end of the vertical line and the tips of the two branches (basis of the Fleur de Lis). The tsadey is the "stem" component. The Tsadey pole in the Arieopax/Reshel is the central generating divine pole that produces all the golden ratio spirals that create the whole pentagonal form that uses 9 poles (the Reshel) and 16 poles (the Arieopax) to set itself.

An example in the earth grid system is the Holyrood Sanctuary in Edinburgh. This in turn creates a larger dual dipole between Edinburgh and Glastonbury, the basic Grail format we reinstalled beginning with the Sinclair symposium. This "stem" is sometimes used as a HAWK/FALCON. In the Arieopax form as applied to the Grail it is shown as a stalk of wheat having 16 seed-grains, the 16 Grail Kings. Henry Sinclair used the "imploded" Grial in his burgee with 8 points out and 8 points in or 16. This also reflects the temple-8 as above and below as well as a few other important and complementary setups.

The BLOSSOM: The Hebrew alphabet is arranged in three horizontal rows of 9 letters in each. In the first or "upper" row the letter teyth is #9 at the end of the row with tsadey, #90, "below" it in the next row. Teyth was drawn as a circle with a cross in it; it means MIRE. It is an exceedingly holy number ...the Seraphic ENNEAD, etc... and carries the idea that the Lily rises from the muck. Thoth's logo is a three pronged lily with the Bethlehem triangle above it: two such triangles. This triangle was also his birth mark on his forehead. When we view teyth and tsadey as a unit they show us the STEM (tsadey) and the BLOSSOM (teyth) above it appearing as a SUN WHEEL.

THIS IS THE "SIGN" BY WHICH YOU WILL CONQUER found in the Rex Mundi arrangement. The four angels above Rex are forming the tsadey geometry while the rose cross in a circle above them is the teyth "blossom." People believe that they are forming the Latin Cross and that works but it is not the deeper application. Note that the lower (red-gold) angel is genuflecting using the LEFT knee (honoring TEMPORAL authority, not divine authority which would require bending the right knee) and is pointing down with her left hand.

NOW MOVE ON TO CONSIDERING THE "MIRE" AND THE "ARCADIA." My suggestion is that "Arcada and Mire" is in effect describing the GRAIL CORE energetic and that the "Stem and Blossom" as described above is that basic format: the "Sign by which you will conquer." Arcadia harkens back to the Greek land of light and the land of Pan who led the creation dance and music. The same idea as that of Orphius but Pan is more the elemental, nature connection. I believe that the mantra "Aur-Cada" however predates the Greek application and that Hebrew gives a more accurate idea of it. I'm beginning to believe that "Arcadia" is any location or situation ...a state of mind and of being... that generates a grail energetic specific to whatever culture-frame must use it. Somehow the "45.3" latitude applies based on the Zeno map and on the 1757 Carte de l'Acadie pictured in your book (facing page 153).

CONSIDER THE BASIC PHRASE "AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL": Approach it in the Hebrew. First read it from right to left ...clumsy but it works after a fashion. We might reword it as: "The All in All is Self (as) Ar-Quada in and of the Mire, the Woman projected by myself." (Boudet's angel, the lower one, points to "TU" as the personal form of "you", also to the fallen Lucifer, the socalled Rex Mundi.)

RE "THE WOMAN": All this continum is female. Androgynous formats are shown as both female. In the higher aspect the Christ is female. This derives in the idea that the female pole is the one (left brain) that is objective, gives birth and is form building, works from the Silence or Void (recall that the so called "rib" of Adam is tsela or the SELAH God/Life Essence) she creates form that contains life (recall that "Eve" or "Chavah" means life; her "fruit" is that of the Tree of Life passed to Adam via the Serpent and the serpent, letter noun #50 means eternally regenerating life in cycles. The reason, one of them, that this continum experiment was invented was to learn to work in low frequencies ...the MIRE... and create a hybrid race of angels, humans and ELEMENTALS. The cosmic function here can be translated in our terms as "female." The female heart energetic has three poles whereas the male's has one. These are equal in function and importance however have different complementary functions. The 3-point female heart can be viewed as the Grail Bethlehem triangle and the male's one pole would appear as the center point along its base line. This point in Boudets' angels is the upper white angel's left hand (right brain) covering "her" heart. This is the male Christ point in the format. All the other hands pointing to the poles are right or left brain (female). So, basically we are all female, the "Brides of Christ", projected or cast into the low Oritronic frequencies of this fallen continum or the MIRE (letter teyth).

MORE ABOUT THE SUN WHEEL OF TEYTH, OR THE BLOSSOM ROOTED IN THE MIRE: There is a correspondent letter with teyth, it is tav, #400, drawn as a Greek or "+" cross. It means "signature, mark, designate." It represents the SELF individualized or the EGO. It is found on the bottom line with the sequence of letters: top: letter dallet, #4, drawn as a fish, means the "two leaved door". represents the lower soul that lives in the waters of time (the Mar). Middle: letter mayim, #40, drawn as a wave surface, means the "waters: urine (dead water), semen (living water)", represents the teleplane or Mar, the waters, time continum. When this fish soul (nephesh: fish) in time individualizes it is "crucified as the cross" of tav, #400. NEXT, view the teyth sun-wheel first as the sun symbol of the circle with center dot. The Sun can be backtracked via all the collective Solar Lords (suns) to the CENTRAL SUN and the DIVINE HEART which uses the same symbol but in fiery supernal light: the AUR or "AR" of Ar-cadah. When we transpose the individual or EGO of tav over the sun circle of teyth we have what is always drawn: the circle with cross enclosed. The divine center or heart of God is merged into and as the self (Ego). Boudet shows this as a 6-point rose in his equivalent "blossom" center; this harkens back to the same but more elaborate system found as the Chartres' Labyrinth, the effective Holy of Holies buried under all the folding chairs. It is relevant that the central core of the Arieopax is the 6-point dual dipole of the Grail generator. AR-QUADAH, Aur-Qada: The EGO as described above is directly linked into and as Ar-quadah. Let's look at the words: Ar, Ark, Quadah. "Aur" (AR) means "fire, lightning, light, be luminous, happiness, the East (sun), A PLANT AS BEING BRIGHT, herb." When spelled with ayin, aur means: "angel as a watcher, a city or court, to awaken (the watcher), to raise up, an ass or colt." With these very productive ideas we can then merge the sound "ark" as a complementary format. An ark or box is "arown/aron" (Moses' brother and Aronic priesthood). As "tebah" it also means "box, produce, income" which gives us the better idea of the VAULT as the teleplane format for creating form.

We also have the same sound "arc" as a curve or bow. Hebrew uses the same word for "bow: qesheth" for the rainbow and bow as a weapon. It also means "bending, strength, and IRIS." (Blossom again, combine with the Plant of Light above.) The "bow" in the alphabet is the letter shen, #300, drawn as a recurved bow or upside-down MacDonald sign. This is the same symbol Thoth uses as a logo calling it a trident (mastery of the time waters/seas) or the lily. He also designates the central ulta point as the Shen pole. Shen, the letter, means to "transmute form, duplicate." (Being able to split or duplicate is to create form through polarization.) The shen drawing also gives us the three points of the Bethlehem Angle triangle. It is also known as the womb in the Reshel context.

SUMMARIZING THE SOUND "AUR/ARK/ARC": We might clump it all in: "A vault of manifestation and transmutation that awakens the Watcher (Observer-Self) into fire and light as the Eastern Sun (the rising sun provides dynamic growth and evolution, change), in which self grows as a plant and flower of light being also the Sun; so we are also the colt ridden by the Messiah and in that respect also the Horse of God."

NOW, ABOUT THE "QUADAH": The Hebrew is complex. "Qad/Qadiy" means: "goat or kid (aries connection), to be fortunate, the brink or border of a river (connects with time interface), to cut a furrow." "Chad/chadie" means: "One, first, immediate, sharp (usually used as the divine nothingness), rejoice, fierce, the breast (heart chakra: corresponding to "chazeh": breast, to see, percieve, contemplate, have a vision")." "Chay" means: "life, raw and fresh (as a plant, water, year), to revive (resurrection)." When "kad" is spelled with a kaf, #20, it means: "to deepen, a pail or jar." This is a direct Grail equivalent. This could be linked to dayah": "a falcon, from daah: to dart, fly, a kite (raptor)." ...a reminder: the tsadey is also seen as a hawk as well as a plant stem. SUMMARIZING THE "QUADAH": Consolidating the better correlations might give us this: "The container grail of the breast/heart is immediate and primary, so sharp that the edge (Hebrew and Greek use "mouth") of the river/water of time (year) may be percieved and contemplated with the eye of a falcon." ...reminder: the "hawk" geometric can be used as a time gate; the geometric is the protosiniatic tsadey glyph.

WITH ALL THAT AS PREAMBLE, CONSIDER THE TSADEY AGAIN:

Remember that the tsadey is the stalk with two leaves or wings, the three upper points being the Bethlehem triangle. Also remember that the two opposed tsadey triangles, base to base, form the Grail core and that of the 16 point Arieopax. When we add TWO tsadeys to form the word "tsits" it translates as: "a glistening plate, a shining BLOSSOM or plant, a shining WING." From "tsuwts" which means: "to twinkle, show self." This "twinkle" is a regular flashing that would relate to the Flashing Universe, an important dynamic in the Grail process. We used the tsadey glyph, two of them, as a form of the ANTARION CONVERSION, an imploding time gate before we were given the more efficient Eye of Ra rhombus which does the same thing. The "implosion" uses the Flashing Universe dynamic.

When we add the letter noun, #50, the "serpent" translating as eternally regenerating life in cycles we have the word "nets": "A BRILLIANT FLOWER OR HAWK." This is a direct correlation with the bird-serpent-staff (or stalk) which Yeshua likened Himself to, Moses' Staff of the Brazen Serpent, etc., related to healing and to rebirth in the Christ. This has been much discussed in all the Grail related reports. The planetary "Uncoiling Serpent" or Heptaha Line goes through the Grail Staff, as it were: the Tav'hara Line or "Line of Destiny" at the Glastonbury Tor point. This serpent/dragon must be raised, northward, to translate via the Edinburgh matrix which processes the Academy of Christ input from Fortingall. Glastonbury matches this input from the identical energetic from Holy Island (Anglesey). When these points are resonant the Grail "capstone" points kick in and we "have a go!" The Draco-Dragon has been transformed and all planetary grids are Grail-charged via the Hemptaha.

The "wing" of the tsadey or Grail format is also found in James Hurtak's KEYS OF ENOCH as I have noted above, in Nova Scotia. He also identifies Nova Scotia as one of the 12 planetary "energy grid areas for space-time transcription, and areas of protocommunication established by the conversion of each tribe of Israel for the watch and deliverance of the present program from the Treasury of Light. (page 314; Key 215:70)

In the early history of the Earth and Venus, the Reptilian Ray expanded on its base Serpent Wave essential to created form. This input was grossly distorted by the Luciferian agencies. The Bird Race or Ray also interacted with the base serpent wave form but was of a higher aspect more adaptable to angelic overprinting. The resultant of the two conflicting wave streams was a merged serpent-bird format. Before any spiritual evolution can proceed however the serpent must be "lifted" as described by Yeshua (John 3:14-15). It is significant that the Uncoiling Serpent (Hemptaha) goes through the Yucatan (Head of Hurtak's dove) and on up through Nova Scotia before moving through Ruta and then up the Bethlehem Angle Michael-Mari Line. We have observed that the Luciferic forces (Crowley, the Montauk Project) were able to use this planetary system via the L-Gate on the Hemptaha controlled at Men an Tol. We know, then, that the Hemptaha has a fallen aspect that needs uplifting. I am noting this relative to Nova Scotia in light of the "666" longitude in the 1757 chart as well as Hurtak's dove connection. I think that the AUR-CADA dynamic comes to a pivotal focus in Nova Scotia relative to the Americas, the planetary right brain. However, the right FOREbrain ...Europe... has to process the serpent-bird dynamic first or concurrently. NOW IS THE TIME at the end of this continuum that the whole scenario is amplified and adjusted. The Grail energetic is the core of the project! Nova Scotia is in effect a battle ground and the Micmac are sitting in the Siege Perlious ...along with the rest of us!

THE 1757 CHART:

Your are right, it is strange that this very holy sign (the chart) would be permitted to surface AFTER the Dark Forces moved the Arcadians to the swamps of Louisiana. I see it as "holy" because of the one line of latitude and longitude shown on the chart, apparently locked on Green Oaks. I think that you drew in the fix however it is still just as significant. The latitude correlates with the Zeno rhombus within 3000 yards ...I think that the difference is due to the numerical requirements of gemetria and of having to multiply by the golden ratio. The longitude: 666W as measured by the Paris Meridian is also very relevant.

"666" is not evil except as 70 ignorant monks made it so in their mistranslation of Revelation. Now, "666" correlates with the Anti-Christ in the lower racial mind, with much emotional power generated by the Christian Church at the mundane levels. It was a very smart move by the Anti-Christ in jacking around the basic meaning. "6" in Hebrew is the letter VAU, drawn as a circle with a vertical line below it. Revelation identifies it as the KEY OF DAVID (Rev 3:7-13), the pillar in the temple of God. It is the GRAIL AND ITS PILLAR: the circle and line. The "6" points of the Mogen (Tsinah) Dowd (dowd being: "love, the cauldron (grail)") translate into the dual tetrahedron which initiates the Layooesh or primary Pillar/tube used in translating from the fallen frequencies up into the Metatronic. The 8 points of the dual-tetra shifts through the 9 (note the central 9 in the Zeno rhombus) and then 10 (dual-pentahedrons), lastly 12.

666 is a master number in scripture. The abortive meaning extant is an anomoly; I inquired via Spirit about that long ago and was given the answer that it was a combination of inverted spirals (resembling a 9 with an open loop). The inversion was intended to mean that the triple 9 (Christ number for the outer planes) was distorted but that the number 666 was a very holy number in its function. I've since noted that the "9" with open loop is actually #30, the letter lammed which was drawn as a golden ratio spiral, tail down. It is a life supporting system and used to create the Grail energetics when applied as the Arieopax. Three of them would relate to the 3 continua. Since it can be perverted ...note Judas' 30 pieces of silver... there is the need for radical transmutation. The only way is through Grace. Apparently Nova Scotia is key to the Absolution, Resolution and Evolution with Green Oaks (Grail Generator) as pivotal.

THESE ARE A WHOLE LOT OF PAGES to ask for your ideas about the 19/9/28/golden ratio 1.618 gemetria if you can figure something out. Also I'd like to know where you found the quotation about the mire, etc. Since the numerology is pretty much timeless it would be nice to get a handle on it. Anything you could pick up, or the Micmac medicine people or any of the addees, would be helpful.

Blessings,
William (Gawain Stewart)
William Buehler

Asmodeus

Grail Topics, Part 1 (William S. Buehler)

Subject: Grail Topics, Part 1
Date: Sun, 12 Oct 1997 22:44:45
From: "William S. Buehler" <roslinne@amigo.net>

www.soulinvitation.com/buehler

This is a 2-part letter (it is passed for info the ther addees for possible comment; subjects are:

(1) the map from the Zeno Narrative;
(2) the formula: AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL;
(3) Boudet's PAR CE SIGNE TU LE VAINCRAS.)

Mail to Colemans, Dunfords, Flints, Phyllis, Elizabeth Van Buren, Monica Lewis.
SUMMARY OF IDEAS BROACHED:

1. The Zeno map supports the Narrative as a mystery writing. It has physical accuracy but also has a CONSCIOUSNESS MAP integrated into it.

2. The map core is the Grail or "AR-CHADAH" core consciousness.

3. "AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL" is a Grail formula connected with the special Hebrew (protosiniatic glyphs) and Ariiopax core generator, the Arieopax being the Grail structure of 16 poles (Grail Kings) and one of the 24 Breastplates of Metatron, also the Adam Kadmon template of the perfect human as well as the template of the TORAH AUR.

4. Comments re the 1757 Map of Acadie: "The Labyrinth of the Grail" by William Mann, facing page 153, map from "The Acadians of Nova Scotia".

BACKGROUND INFO FOR PEOPLE NOT HAVING ATTENDED THE RECENT SYMPOSIUM: HENRY SINCLAIR 1398 EXPEDITION TO THE AMERICAS

One of the key documents in the symposium in Orkney early in September was the ZENO NARRATIVE. It is an historical discription of a number of events including the 1398 expedition. However there are remarkable inaccuracies in it, notably in the chart of the Atlantic included in the document. Close inspection of the inaccuracies indicates a strong probability that the Narrative is a "mystery writing", that is it is a spiritual or "causal" narrative integrated within a physical historical sequence. This is not unusual and is done extensively in Judeo Christian scripture.

The reason for this technique is to show WHY and HOW physical events are generated. It is the basic "As Above, So Below" idea or the idea of "binding in Earth that bound in Heaven." Dealing with this kind of exasperating approach demands the "eyes to see", that is one has to "know" or understand spiritual dynamics before picking up the document. I know a little bit from my 25 years experience in working with hundreds of people and a few dozen top channels, most of this effort in synergic groups where sacred geometry is used. This is what I've applied in a fast look at the Zeno chart. It is an example of a "consciousness chart" used as an Earth Grid, something I've been working with the last few years.

The sacred geometry has turned up what is becoming more obvious as a primary Grail geometry apparently known to quite a few in the last 2,000 years ...the Templars being the more recent who have used it on the largest scale. i've referred to it in the last several reports regarding the recent Grail insertion in Alba-on (Great Britain). I've called it by a number of names in the past: "Merigold", "Dual Dipole", "Dione Couplet", the "Twin-born Pair." It is the core energetic of the ARIEOPAX which is an advanced version of the Metatronic grid, the RESHEL (names provided by the Thoth: Raismes of Aphra via Maia and Simeon Nartoomid of the Johannine Grove). It is a peculiar arrangement of six poles as a double dipole with two central poles which then give us two triangles using the Bethlehem Angle (26 deg, 18' 9.7"), base to base, centered by the central divine "bindu" or seed-point called the Ulta Point.

In short, I think that "The Sesheta" as representing the Goddess' function relative to the God's inseminating process, does the above. She's the living mechanism and process for manifestation and transmutation of form within the Thothian Stream. Trying to describe the Thothian Stream is too large a project, as I've said. A short (and incomprehensible) description of Thoth's function relative to the above might be found in the action of the ULTA POINT as the primal transference from "the divine" to form. In our Reshel format we are calling this point the "Aleph" pole which then feeds into the "Shiyn" pole noted above. This is from Thoth (via Maia):

"...Between the two major guiding power realms is a point of balance called by the Inner Earth Illuminaries, the ULTA. The Ulta, in more scientific terms is known as the pyra-radical gate...the mechanism which encodes the pyra-conic Light frequencies (emitted by the 'Living Lights') into spectra color/sonic bands. These bands are filtered down through the pyramid or spiral acting on and reacting with all levels of Integration until it reaches our human condition, at which point these bands are synchro-radiated to the bio-chronic field of the brain/mind complex. The pitch and meter of synthesis resulting from the matching of brain waves to the x-grams or program codes of Morphionic (divine) Light, determines the time ratio of our field of consciousness. What all of this essentially means is that the 'gate' controls our perception of reality and since 'reality' is nothing more than perception itself, the Ulta feeds us our reality in a frame of limited quanta release..." (Thoth via Maia.)

Bill Mann has found the main Grail format in Nova Scotia which was installed or more accurately "rebooted" by the 1398 expedition. Bill was not aware that it was the Grail format per se ...in the terms I'm using... but he wrote a splendid book describing the whole energy matrix that appears to be the Labyrinth/Grail power core for North and South America BASED ON THE GRAIL FORMAT. He knew that it is the Grail and has presented many archetypes in its description for that area. The Micmac natives are basically the stewards of that most holy land. Three of their leaders attended the symposium.

The commentary below describes the Zeno chart and two major Grail formats found in it. It tells me that the Sinclairs knew a number of things not known to most mystics of this period. They knew of the Sacred Isle of Ruta including the "Holy Doma" or Rutan group of six major pyramid temples surrounding Ruta, reaching to the southern shore of Iceland.

---------------------------------------------
Dear Bill,

Your gemetria always amazes me! While you're in your gemetreatic mode/mood perhaps you'd devote a few attention units to the numbers involved in the "Gate" found in the Zeno Narrative. As you know I believe that the Narrative is a "Mystery Writing", that is it is an allegory superimposed over actual physical history. It could still be used to build an historical picture however it would first need to be analyzed to sort out the causal spiritual dynamics related to their historical expressions.

SUMMARY OF THE CHART AS A "CONSCIOUSNESS MAP":

This is getting the cart up front but might help in sorting out the tedious reading farther on. The "mythical" islands, nine including the Monestary, are chakras. The Monestary is the Essential chakra over the head then there are the usual 7, then the island Griflada which is the Earth chakra under/as the feet. I do not know Latin so I have made no attempt to interpret the chakra functions. There are two Grail formats: (1) the 6-pole dual dipole Grail format as the main mythical islands in the mid Atlantic as the primary non-physical archetype (which does have physical relevance however as Ruta and its 6-temple matrix called the HOLY DOMA); and (2) a sub structure also a Grail which links directly to the archetypal grail as well to the chakra grid line. This grid translates the non-physical to the physical. Surprisingly, this 2nd Grail highlights a place in Norway as a grail generator and a bay supposedly in the Shetland group as a "capstone" pole complementing Griflada as the other. Griflada (whatever that means) is the common point in all the formats, the physical island that creates the physical level Grail.

1. FIRST: The chakras must be unified and mastered before ESTLAND can be mastered. Est(East)land is the controlling pole in the mid Atlantic Grail dipole. Mastery is through the Unity of 13. The "13 vessels" form the merkabah or "vehicle" field of the Grail; this must first be formed to carry the charge and make all connections. The 6-pole dual dipole is the Grail core but the "13" aspect merkabah IS the Grail and is boosted to a 144 vibration (6x12=72; x2=144). Along with the Grail there has to be a PILLAR. The Narrative will identify that as the hot well from the Earth that supports the Monestary of St Thomas (Essential chakra). The higher version of this same "eyn" or well is the tube between the center of the planet (the "atoma") and the center of the Sun. The next higher harmonic of this pillar is the link with the collective Suns' atoma or heart of this continum (then link with the composite of the three continua) to the atoma of the CENTRAL SUN. This in turn links with the DIVINE HEART seen as the archetype of all the Suns or Solar Lords. It would be imaged as a sphere of supernal fire filled with the infinite void of divine Essence (Life), centered with super-supernal life fire. This is apparently the absolute Grail core. Henry's fleet used the 13-vessel temple formats.

2. SECOND: Mastery of the 9-chakra matrix opens the action line into the mid Atlantic Grail core. Etherically this point is now the Sacred Isle of Ruta which was once physical and the initiator for the Metatronic Grail grids now being reactivated for the PRESENT continum shift. Ruta is close to 49N, 29W, the Faraday Seamounts. I am quite certain that Henry's fleet cruised over the site and reactivated Ruta for the ignition of the European and American Grail grids. THAT EVENT IS STILL ONGOING AND APPLIES NOW; THE SYMPOSIUM IS A MAJOR PART OF THAT IGNITION by reestablishing, in effect, the mission again in the Racial Mind. This is only possible by mastering the associated time gates.

3. THIRD: Opening the time gates. From the Ruta point an action line is created through the strange little rhombus (Eye of Ra time gate format, the L-Gate). This might be called the "Knight's Move" (L-Shift) symbolized by the HORSE OF GOD. This action line connects with DIUTEN (city?) in Norway. The rhombus becomes the middle, Ulta point of the action line.

4. FOURTH: Master and activate the STAFF OF THE FEATHERED SERPENT, ie the "Absolution, Resolution, Evolution" of the Bethlehem Angle dynamic. This triggers the 13th sign/function or aspect. This in effect completes the basic Grail merkabah grid able to contain the grail dynamic. This had to be done in the beginning at the most basic level in mastering the chakras. Now it is upgraded to handle the grail itself with the time gates. The Ulta point (rhombus) is triggered to create the secondary, physical Grail grid produced via Griflada. NOTE: I was given specific instruction NOT TO DO THIS STEP in the recent Grail work in Alba-on following the symposium ignition. We did fall into this step by "accident" at Fortingall (using the L found there as a stone grid) with profound results (to be noted in the final report) ...but we were protected by an order of Templars that appear to be a Hierarchical Order with the angels. I think that we were kicked into the primal, essential Grail Temple. Actually, I think the Templars were protecting the Temple from US ...a mutual protection to prevent our "frying."

This point about not being permitted to activate the L-Gate (rhombus) is worth going into detail here while the subject is surfaced. DREAM-VISION: A stream of smooth water flowing over a car's dashboard submerging the ignition key-hole half way. Inserting the ignition key and turning would result in a short-circuit, implosion and severe injury. (end dream) INTREPRETED: The stream is the time continum (the "mar"), the car is the merkabah ("chariot") vehicle-field which is activated by doing the ignition's 90 deg, L-shift. The implosion would result due to contamination by "time" or continum-flow within the gate. LESSON: the group was not clear enough within the No-Time or Selah divine Silence to activate L-Gates by intent (which we had done partially at Fortingall).

Another dream (Morgan's) prior to the Glastonbury point had her doing three spirals into the Glastonbury point however it was to be done on a HORSE with no saddle or reins by giving the horse its head. It would then be free to move through a very complex snarl of wires. It would then return to the start point. (end dream) INTREPRETED: The original spiral ascent has been cut by a cement walk. Climbers are to stay on the walk. Further, the many visitors and others worldwide have installed a snarl of "aka threads" or etheric connections (tubes, sutras)into the Tor matrix. There are no longer priests to do the housekeeping duties and connection management. The horse is the "Horse of God" ie the ability to use the L-shift in its wider dynamic as a merkabah (vehicle) field. With the Horse goes the signature keys of the Reshel and time gate application. The Horse and Rider (soul) MUST be a unity where the Horse controls. Time fields must be approached in a spiral for each level. The "ratcheted", L-gate, spiral in the Barbury Castle ohlman (crop circle), this ohlman called the SERAPHA by Thoth, is a prime example of this spiral dynamic. The Serapha is the template for the large earth grid which uses Glastonbury as the complement of the 6-gate spiral pole ...left brain and right brain respectively. The Sephera uses 1.5 spirals with its 6 L-gates. Reasonably, our use of three spirals on the Horse (L-Shift dynamic) is giving us a function of 12 gates, bringing Glastonbury up to 144 ...THE FULL GRAIL FORMAT! The horse, returning to start point, represents the requirement to do the same (reversing the spiral) after exposure to Gate activity thus returning with all ones' bits and pieces in the right order and right continum, in more or less the same mind. LESSON: We were carried through the most complex and dangerous of spirals, via a 12-function L shift, and a great snarl of interdimensional connections by completely turning over control to Divine Will ie the Horse. The Montauk Project did the reverse with their Horse (note the cover of the "Montauk Project" by Moon and Nichols) and produced a terrible abortion before God. We worked with what I believe to be the THOLUS pole relative to the TOR (tower). As such I believe we upgraded the Grail program installed on 17 July, 1991 by the Serapha ohlman; this upgrade would be a seed-software connected to the Grail Line we completed at Glastonbury.

We were also to make the connection then with the Men an Tol L-Gate Resh control point for the Michael-Mari Line (portion of the planetary "Uncoiling Serpent" or HEMPTAHA Line). This connection would also upgrade the planetary L dynamic directly from the "Horse's Mouth" so to speak.

6. SIXTH: Trigger the Atlantic-wide Grail from the smaller physical subsystem. If all the previous steps could be accomplished in clarity and Grace without blowing something up (or "in") then the spirutal-physical unity could go forward. The position of the rhombus relative to Ruta suggests that there is a time gate halfway between 49N, 29W and "Diuten", Norway. Maybe there is but I doubt it. I think that the rhombus' position is one of consciousness and atainment. It is NE of Ruta in the "Heelstone" position on the saltire or "X" cross relative to Ruta. That is, it expresses a controlling function relative to Ruta. I believe that the Sinclair 1398 fleet worked SW across the Ruta position, went into a temple 12-point Wheel formation and triggered the rhombic gates which permitted Ruta to (again) reinitiate the planetary right brain Reshel grid matrix. Since this is a no-time, all-time mode it is still there. This effect is enhanced by actually having Ruta back "on station" again. Speculating on the names in the chart it is likely that the mid Atlantic dual dipole has a resonant harmonic that extends from Norway, or Shetland and Scotland, to Estotiland (probably Nova Scotia) and Drogeo, wherever that is, to the south. This is undoubtedly a residual Grail grid from the Atlan era which generally filled that area. This residual grid was probably retuned and manipulated by the Rutans to be in land areas through the coming LP-40 event (shift in continua) occurring soon (2015-2025 CE) and presently well underweigh.

FOLLOWING IS THE MORE DETAILED DESCRIPTION WITH REPETITION:

SUMMARY OF GATE CONNECTION: There is a small rhombus found on the map which appears immediately to be a golden ratio rhombus ("Eye of Ra" or time gate using the L-Gate dynamic) found in the Reshel grid. It is too small to make an accurate measurement however it is significant that it is located in the golden ratio of the line between Incaford/Soru_al in Estland and Flogafc?er in Islanda. This line is key in defining the Grail format in the large island grouping noted below.

The rhombus has 28 points in it, nine being in its center, 19 points in the outer rhombic shape. (The Ennead or '9' is the harmonic from the Sepharic Ennead (Michael's boss) down through the Templar core group. It is also the number of layered synergic souls in the Adam Kadmon template of the ideal human which contained the two souls of the Christ. It is also the letter TEYTH in Hebrew which is the MIRE noted in the formula: AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL. I did not wish to get into all this at the symposium for obvious reasons however I did discreetly remark on it afterwards to Chief Kerry Prosper who confirmed that the Micmacs have always considered themselves to be "Keepers of the Gate" which does much to validate this whole thing for reasons following. As a side note, James Hurtak in his "Keys of Enoch" locates a dove grid over North and Central America with its pinions over Nova Scotia. The "pinion" in Hebrew: "abara" also means "conjunction, cross-over point" or "gateway." "Abara" is also the bird hidden in Genesis 1:1 "(A)bara-shyt-(a)bara." This feather connection goes much deeper (Elisa Exchange) as the Egyptian feather of MAAT. The same structure is found in the Zarathustrian picturing of AHURA MAZDA as a hawk. This hawk or falcon surfaces again in the AR-CADIE commentary. Remember that all this connects with the small rhombus on the chart.

Continuing with the rhombus: I knew that we would have a latitude reading if we multiplied 28 by the golden ratio: 1.618. This equals 45.3 degrees. At the time of the symposium you noted that this is the latitude of the Green Oaks point. Reminding you of your commentary, page 140 of your book, "oak" means "duir" at one level it also means "door, divinity, right handedness" at another.

Here's the grabber: your diagram on page 104-5 shows a Reshel format that I've already commented on at length. However it ALSO shows a very neat Grail format using the Bethlehem angles between Shubenacadie and Bible Hill (Grail Generators) with Green Oaks as it's apex or "Capstone" point ie the Grail reference point. The six "fictional" islands in mid Atlantic is this same format and the one we used to (re)install the Grail in Alba-on (Great Britain) using the 1398 Symposium as its keynote. (It took us two weeks and 2974 miles on our "Grail Quest".) This Grail triangle is the one between Incaford/Soru_al in Estland and the penninsula head (landfall) at Estotiland (generators) and the capstone point at Flogafc?er in Islanda. This triangle uses the Bethlehem angle of course. Opposite Green Oaks is BIRCH HILL as the other capstone pole. The "birch" correlates with the serpent due to its shedding bark to permit growth. Thus it represents continual regenerating life in expanding cycles or spirals. THIS IS THE SECOND AND SUB SYSTEM GRAIL IN NOVA SCOTIA, THE FIRST AND PRIMARY ALREADY DESCRIBED IN REPORT W05, PART 2. It is Green Hill that is directly resonant with the 45.3 rhombus gate in the Ruta format (Zeno chart). ONCE THE RUTA/ZENO FORMAT IS FUNCTIONAL, NOVA SCOTIA MAY BE ACTIVATED. Since this is already active in a no-time mode it can be tapped into by getting to that same level and mode. This point is vital to the Micmac medicine people.

THE BIG PICTURE: There are six main island groups shown in mid Atlantic as nonexistant islands ...the sixth island in the south is not shown. The specific configuration is understood as

1. ...the "dual dipole" or Grail format as the main generator for the ARIEOPAX system. This is an advanced Reshel grid that grounds the Metatronic energy and consciousness; this in turn is the basic energetic for the new time continuum which is now being generated. There is a cosmic Grail dynamic installed by the Solarians of MAZURIEL (primary holy star system) via the ancient Rutans (Ruta at 49N, 29W). Ruta is now returned in the etheric and is functional.

2. ...the "HOLY DOMA" which is-was a group of six temples in Atlantis centered by Ruta. They extended south from the present south coast of Iceland in the manner shown by the Zeno map. Nobody would know of this group, now back in the etheric as of 1995, except if they knew of Ruta. The Urmaga Grid, the one that we rewired on the Tav'hara Line, is generated by Ruta using the Bethlehem angle up through the Hebrides and Orkney (Eynhallow). The Sinclairs knew of this at one time, certainly when Rosslyn was built and at the time of the Zeno map. How would they know of Ruta and the Holy Doma? Same as us, just ask ...and have a reason for knowing and with the Seals lifted.

The northern three are the critical islands and these show the Grail, Bethlehem angle format as noted above. This is the Shekinah, female set which must first be mastered and brought online before the south pointing Christic system activates. There are also two Grails in the system. When we draw the altitude of this triangle and extend it into the center of "Frisland" (Ruta) we can define the center point. It is found where the letter "n" in Frisland appears. The island "Dvilo" is the ulta pole for the Shekinah triangle.

We next draw a line, using the Bethlehem angle up to the Monestary of St Tomas. This line also has a southern island: Griflada. Between the two are 7 mythical islands listed on page 11-12 of the Narrative which were to be mastered by a fleet of 13 vessels. The "mystery" format according to my interpretation is that Islanda (which was protected and the "attack" was then directed to the 7 islands) is actually one of the Grail capstones which produce the female Grail. To approach this point ...IN TERMS OF CONSCIOUSNESS... we must first master the classic 7 chakras. Except there are also another two to make NINE. The Monestary is the chakra matrix over the head which is causal. The famous hot stream feeding the Monestary is the Earth Kundalini from the center of the GAIA head or central Atoma or Fluctuating chakra. The action, via the Essential chakra over the seven of the lower form, passes "down" through the lower form (7 islands) and thence through the Earth Chakra (Griflada) which then projects into the center of the Ruta-Frisland ulta point of the whole Grail format. Again remember that this is using the "Absolution, Resolution, and Evolution" of the Bethlehem dynamic: the raised feathered serpent on a staff archetype.

Once we have mastered the nine-chakra matrix and been given access to the central ulta pole (Ruta or Frisland) we then can access the SPECIAL TIME GATE safely at 45.3 degrees North. This is done with another Bethlehem angle from the ulta point to Diuten in Norvegia which passes through the center of the "9" in the rhombus. This point in the rhombus is the center point between Ruta and Diuten. This means that Diuten, wherever that is, is the earthly correspondent of Ruta which was, at that time, not even in this creation realm but was accessable through the rhombic time gates. The gate system would be the system that transferred the Ruta ignition to all the Metatronic Reshel grids in Europe and the Americas; thus Henry's mission DEMANDED passing over 49N 29W and activating the point via the time gate system and using the 13 ship temple formation. The 3-masted ship rigged flagship would be the Ruta, ulta point correspondent in the formation. Each mast or "cross" would represent one of the three time continua being linked via the Rutan connection. This is important in the Templar magic engrammed into the vessel. It was alive.

When this system "turned on" at the timeless Ruta point it triggered through the Green Oaks Gateway. The Micmac as "Guardians of the Gate" would also have to be of that vibration, with the capability, to be Guardians or Stewards. Their function in the Americas are roughly what the Sinclair's is in Europe: the one is an extension of the other. Hence their attendence at the symposium was an elegant, impeccable and very necessary unity in the greater installation of the Grail and also in future work directly affecting ALL Metatronic Grail systems now being upgraded and installed new. According to the Zeno plot both the Sinclairs and Micmac must first master the nine chakra system.

It would be useful to at least know what was thought to be the nature of those chakras at that time although it is more relevant to know what they are NOW in terms of the new Metatronic base. For that reason I am not intending to put a whole lot of time into interpreting Zeno ...mainly because I don't understand the language. Still, it is quite possible that the chakra functions are described in terms relevant to the present situation when approached with the idea that they reflect an all-time mode. If someone can translate the names (page 11-12) I'd be pleased to assist; they are: Talas, Broas, Iscant, Trans, Mimant, Dambere, e Bres (a fort was built in Bres).

"AND I CAST HER INTO THE MIRE ET EN ARCADIA EGO SUM TOTAL":

Bill, I don't know where you got this quote (Morgen has my books temporarily) but it is powerful. I couldn't find it in your book. It appears to be a full quote only partially used in other places (ET IN EGO ARCADIA), Poussin's Shepherds painting for one. I'm not contradicting any of your excellent observations relative to it however I have another layer for it that goes along with (1) the protosiniatic Hebrew alphabet glyphs, (2) the Grail dual dipole format, and (3) Sauniere's/Boudet's Rex Mundi font at the Magdelene Chapel at Rennes le Chateau. It quite exactly parallels the "PAR CE SIGNE TU LE VAINCRAS" idea.

Asmodeus

the frog & the peach

the frog and the peach

Peter Cook and Dudley Moore [via bird on the moon]

PC: Good evening.

DM: Good evening.

PC: Good evening.

DM: Good evening. We're talking this evening to Sir Arthur Greeb-Streebling.

PC. Streeb-Greebling.

DM: Oh, I'm terribly sorry, I thought it was Greeb-Streebling.

PC: No, Streeb-Greebling. You're thinking of Greeb-Streebling. The "T" is silent, as in "fox". Good evening.

DM: Good evening.

PC: Good evening.

DM: Good evening.

PC: Good Greebling.

DM: We'd like to ask Sir Arthur actually about his rather unique restaurant, the Frog and Peach.

PC: Good evening.

DM: Good evening. If you would tell us something about it, Sir. Arthur.

PC: Yes, well, ah, the idea for the Frog and Peach came to me in the bath. A great number of things come to me in the bath, mainly sort of mosquitoes and adders, but in this case a rather stupendous idea. I suddenly thought, as I was scrubbing my back with a loofah, I thought, "Where can a young couple, who are having an evening out, not too much money, and they want to have a decent meal, y'know, a decent frog and a nice bit of peach, where can they go and get it?" And answer came there none. And so I had this idea of starting a restaurant specializing in these frogs legs and, er, peaches, and on this premise I built this restaurant.

DM: These premises, in fact.

PC: In these precise premises. Good evening.

DM: How long ago did you start this venture? Was it recently?

PC: It was certainly within living memory. Shortly after the First World War.

DM: Ghastly business, wasn't it?

PC: Oh, absolutely ghastly business. And, er, I started it shortly after that and ever since then, it's sort of been here, y'know.

DM: And how has business been?

PC: Well, ah, business hasn't been, in the strict sense of the world. Rather, let me answer that question in two parts. There hasn't been any business and nobody's been. It's been a quiet time for the last 15-18 years, really, in the business.

DM: But don't you feel in a way you're at some disadvantage being stuck out in the middle of Dartmoor here?

PC: I think the word "disadvantage" is awfully well chosen there, yes. This is what we're at. We're at a disadvantage. You see, when I had the idea, I weighed up the pros and cons and I came to the conclusion, rightly or wrongly, or possibly both -

DM: Or neither.

PC: Or neither, or nye-ther, as they say in some part of the country.

DM: Or cointreau.

PC: Indeed. I thought that the pros outweighed the cons by two and a half ounces, and I thought the people in Britain were crying out for a restaurant where there wasn't any parking problem. In fact, I heard somebody in the street crying out for a restaurant without a parking problem. Norwegian sailor, I believe, on leave. He was saying, "Oh, for a restaurant without a parking problem!" And this sort of inspired me to start this one. There's no parking problem here, situated as we are in the middle of a bog in the heart of Dartmoor. No difficulty parking. Some difficultly extricating your car, but otherwise well-situated. Good evening.

DM: Good evening. Don't you feel, again, you're at a disadvantage because of your menu? I mean -

PC: The menu! Oh dear! Yes, that is - Oh! This has been a terrible hindrance to us building up a business. The menu is the most - have you seen it?

DM: Yes, I have.

PC: It's the most appalling thing. There's so little to choose from. You start with - what's that?

DM: Spawn cocktail.

PC: Spawn cocktail. One of the most revolting dishes known to man. Then there's only two other dishes really. There's frog a la peche, which is a frog done in Cointreau and with a peach stuffed in its mouth And, ah, then, of course, there's peche a la frog, which is really not much to write home about. A waiter comes to your table. He's got this huge peach on it, which is covered in boiling liqueur, you see, and he slices it open to reveal about two thousand little black tadpoles squiggling about. It's one of the most disgusting sights I've ever seen. God, it turns me over to think of it. Squiggle, squiggle, they go.

DM: Rather nauseating. Who does the cooking?

PC: My wife does the cooking and, luckily, she does the eating as well. An amazing creature. Of course, she's not a well woman.

DM: No.

PC: Not a well woman at all, so she very much resents having to go down the well every morning to sprinkle "Swoop" on the toads. An amazing creature, my wife, an amazing creature.

DM: Yes.

PC: I met her during the war actually.

DM: You did?

PC: Yes, she blew in through the drawing room window with a bit of shrapnel, became imbedded in the sofa and, you know, one thing led to her mother and we were married in the hour.

DM: Um, yes, I suppose actually -

PC: Would you like some pond water?

DM: No, I won't actually.

PC: It's two shillings.

DM: No, no.

PC: It's revolting stuff. I wouldn't touch it.

DM: No....er, um

PC: Good evening.

DM: Good evening.

PC: What are you about to ask me about?

DM: I'm about to ask you, um, I suppose this sort of menu could, in fact, appeal to the French.

PC: It could appeal to the French and I've tried appealing to the French over Radio Streeb-Greebling which, as you know, is situated in the moat, not a stone's throw from here, but, ah, the response has been - oh - it's not been excessive.

DM: No.

PC: It's been nil.

DM: Well, it all sounds rather disastrous to me.

PC: Catastrophic, I think, would be a better word, really, for it.

DM: Do you have any other plans for other business ventures?

PC: Nnnnn-- yes and no. I thought of starting a sort of sophisticated restaurant with kind of, ah, sophisticated music somewhere up in Peebleshire. Somewhere where a young couple who're out for the evening, y'see, who've got about 85 guineas to spend to get a really decent meal.

DM: Hmm. What are you going to call it?

PC: The Vole and Pea.

DM: What sort of food?

PC: Well, ah, I was thinking largely: simple English roast vole, you know and, ah, a decent British pea. Put the two together and I think you're on pretty good ground.

DM: Y-e-s-s, indeed. Do you feel you've learnt by your mistakes here?

PC: I think I have, yes, and I think I can probably repeat them almost perfectly. I know my mistakes inside out.

DM: I'm sure you will repeat them. Well, thank you very much, Sir Arthur.

PC: Thank you very much.

DM: And good night.

PC: Would you like one for the toad?

DM: No, thank you. </p>